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MAQROLL

Name: MAQROLL
Author: Alvaro Mutis
ISBN: 0-06-016623-1

THREE NOVELLAS

by Alvaro Mutis ‧ RELEASE DATE: Sept. 23, 1992

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Elegant, overworldly (in that relentless manner a certain strain of Latin American who, me, provincial? writing has: ``Not Kazan or Kanpur or Aleppo. Not in lacustrine Venice or chimerical Istanbul, not on the Ile-de-France or in Tours or Stratford-on-Avon or Weimar or Yasnaia Poliana or in the baths of Algiers''), and hyperliterary (one section begins with quotations in Italian, French, and Spanish, including one from a poem by the author himself), Colombian writer Mutis's three novellas here have as their main character a shadowy adventurer alternately called Maqroll or ``the Gaviero'' (the Lookout). An authorial alter-ego, Maqroll is imagination personified as he recalls quixotic jungle journeys, or finds himself in various stages of picturesque entrepreneurship (such as running a brothel in Panama City with the piquant twist of specializing in young women who all pass themselves off as stewardesses), or is nearly executed after being mistaken for a guerrilla leader. Mutis (superbly translated into elegant English by the redoubtable Edith Grossman) is, on the strength of this introductory book, an acquired taste. Except for the bookishness and erotic connoisseurship that the Gaviero effortlessly gives off, the storytelling is stagy and close to precious, quite taken with its own jeweled surfaces and sheens. Intriguing, then, though the drumming artifice keeps you distant.

Pub Date: Sept. 23, 1992

ISBN: 0-06-016623-1

Page Count: 304

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

Categories:

GENERAL FICTION

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EVA LUNA

by Isabel Allende ‧ RELEASE DATE: Oct. 21, 1988

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Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.

Pub Date: Oct. 21, 1988

ISBN: 0241951658

Page Count: -

Publisher: N/A

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Sept. 15, 1988

Categories:

GENERAL FICTION

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by Isabel Allende ; translated by Frances Riddle

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VIOLETA
by Isabel Allende ; translated by Frances Riddle

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THE POISONWOOD BIBLE

by Barbara Kingsolver ‧ RELEASE DATE: Nov. 1, 1998

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The first novel in five years from the ever-popular Kingsolver (Pigs in Heaven, 1993, etc.) is a large-scale saga of an American family’s enlightening and disillusioning African adventure. It begins with a stunningly written backward look: Orleanna Price’s embittered memory of the uncompromising zeal that impelled her husband, Baptist missionary Nathan Price, to take her and their four daughters to the (then) Belgian Congo in 1959, and remain there despite dangerous evidence of the country’s instability under Patrice Lumumba’s ill-starred independence movement, Belgian and American interference and condescension, and Joseph Mobutu’s murderous military dictatorship. The bulk of the story, which is set in the superbly realized native village of Kilanga, is narrated in turn by the four Price girls: Leah, the “smart” twin, whose worshipful respect for her father will undergo a rigorous trial by fire; her —retarded” counterpart Adah, disabled and mute (though in the depths of her mind articulate and playfully intelligent); eldest sister Rachel, a self-important whiner given to hilarious malapropisms (“feminine tuition”; “I prefer to remain anomalous”); and youngest sister Ruth May, whose childish fantasies of union with the surrounding, smothering landscape are cruelly fulfilled. Kingsolver skillfully orchestrates her characters— varied responses to Africa into a consistently absorbing narrative that reaches climax after climax—and that, even after you’re sure it must be nearing its end, continues for a wrenching hundred pages or more, spelling out in unforgettable dramatic and lyric terms the fates of the surviving Prices. Little recent fiction has so successfully fused the personal with the political. Better even than Robert Stone in his otherwise brilliant Damascus Gate, Kingsolver convinces us that her characters are, first and foremost, breathing, fallible human beings and only secondarily conduits for her book’s vigorously expressed and argued social and political ideas. A triumph.