The choir is sure to enjoy this impassioned preaching on familiar progressive themes.
Essays on current political topics by a high-profile actor and activist.
Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-18329-8
Page Count: 272
Publisher: Dutton
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
An old-school Hollywood tell-all with all the trimmings, traumas, and bold-face names.
A great American character claims her double legacy of genius and addiction.
Calling herself “the original nepo-baby,” the daughter of Judy Garland and Vincente Minnelli offers a raw and revealing look at a life shaped by fame and personal struggle. At the heart of Minnelli’s story is her fraught relationship with her volatile mother. While stressing that “our love was what mattered,” life with Judy was no picnic. The night before her fifth birthday, she accidentally kicked her mother in the head while watching TV, permanently scarred by lesson that “if Mama got angry, she was the most terrifying person in my life.” Garland’s addictions made her unstable and unreliable, forcing her daughter to take on adult responsibilities at a very young age. A veteran performer by the time she was in double digits, she won the first star in her EGOT crown (Emmy, Grammy, Oscar, and Tony awards) at age 19 for her role in the musical Flora the Red Menace. This was also her first work with John Kander and Fred Ebb, musical collaborators in her most iconic successes: Cabaret, Liza With a “Z,” and New York, New York. Minnelli describes taking her first Valium in 1969 at the time of her mother’s death from an overdose, unwittingly assuming the mantle of addictions that would mar her public and private life for decades. In and out of the Betty Ford Center, she finally achieved sobriety in 2015, on the eve of her 70th birthday. As the title suggests, she has great stories, and, with the help of her dear friend Feinstein and co-writers Getlin and Evans, she leaves out none of the juice. From her torrid, cocaine-fueled romance with Martin Scorsese (both were married at the time, and she cheated on both husband and lover with Mikhail Baryshnikov) to her falling-out with Lady Gaga at the Oscars in 2022, she spares neither herself nor anyone else and, in the process, reclaims her once very tattered dignity in a moving and remarkable way.
An old-school Hollywood tell-all with all the trimmings, traumas, and bold-face names.Pub Date: March 10, 2026
ISBN: 9781538773666
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: March 10, 2026
Kirkus Reviews Issue: April 15, 2026
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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