A rollicking if slapdash romp, with a poignant story about sisterhood at its core.
Three sisters, their clueless partners, their awful mother, and many festering secrets gather at a castle in Britain for a wedding.
Actually, the wedding seems to be canceled in the book’s prologue, as Sylvie Peacock dashes off a note to her intended, a well-built English book lover named Simon Rampling, informing him that she’s leaving, heading back to her adored job as a school librarian in Miami. Among the reasons: Ten years ago, her marriage to the school’s choir director ended in his untimely death, and she’s still not over it. But there’s something Sylvie doesn’t know about her husband’s demise that both of her older sisters, Cleo and Emma, have been keeping from her, something that won’t make a ton of sense when it finally comes out, but rigorous sense-making is not the strong point, or probably even the intention, of this novel. For example, middle sister Emma has supposedly been doing well working for a Mary Kay–type marketing company but has actually spent every penny in the family coffers including her husband’s retirement account—more than $24,000—on Sweet Nothings’ lingerie, lotions, lube, and sex toys. (Okay, he didn’t notice the bank statement, but what about all those vibrators?) While Emma is in England with husband Rich and sons Guinness and Jameson in tow, her debt, recorded at chapter openings, almost doubles, another thing not to think about too hard. Fortunately, Ward provides plenty of distractions: agendas, menus, British history lessons, disgusting-sounding medieval foods—“Cup of posset, my friend? It’s not so rancid once your taste buds adjust”—literary references, perfume formulas, and juicy sex scenes. Male characters don’t get into this book unless they know what a tongue is for (even Simon’s elderly father has a much younger girlfriend, though those specifics are left to our imaginations). The development of the relationships among Cleo, Emma, and Sylvie, who have not emerged from their childhoods unscathed but are each struggling toward authenticity and happiness, provides an emotional anchor for all the hoopla.
A rollicking if slapdash romp, with a poignant story about sisterhood at its core.Pub Date: May 14, 2024
ISBN: 9780593500293
Page Count: 304
Publisher: Ballantine
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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