A rollicking if slapdash romp, with a poignant story about sisterhood at its core.
Three sisters, their clueless partners, their awful mother, and many festering secrets gather at a castle in Britain for a wedding.
Actually, the wedding seems to be canceled in the book’s prologue, as Sylvie Peacock dashes off a note to her intended, a well-built English book lover named Simon Rampling, informing him that she’s leaving, heading back to her adored job as a school librarian in Miami. Among the reasons: Ten years ago, her marriage to the school’s choir director ended in his untimely death, and she’s still not over it. But there’s something Sylvie doesn’t know about her husband’s demise that both of her older sisters, Cleo and Emma, have been keeping from her, something that won’t make a ton of sense when it finally comes out, but rigorous sense-making is not the strong point, or probably even the intention, of this novel. For example, middle sister Emma has supposedly been doing well working for a Mary Kay–type marketing company but has actually spent every penny in the family coffers including her husband’s retirement account—more than $24,000—on Sweet Nothings’ lingerie, lotions, lube, and sex toys. (Okay, he didn’t notice the bank statement, but what about all those vibrators?) While Emma is in England with husband Rich and sons Guinness and Jameson in tow, her debt, recorded at chapter openings, almost doubles, another thing not to think about too hard. Fortunately, Ward provides plenty of distractions: agendas, menus, British history lessons, disgusting-sounding medieval foods—“Cup of posset, my friend? It’s not so rancid once your taste buds adjust”—literary references, perfume formulas, and juicy sex scenes. Male characters don’t get into this book unless they know what a tongue is for (even Simon’s elderly father has a much younger girlfriend, though those specifics are left to our imaginations). The development of the relationships among Cleo, Emma, and Sylvie, who have not emerged from their childhoods unscathed but are each struggling toward authenticity and happiness, provides an emotional anchor for all the hoopla.
A rollicking if slapdash romp, with a poignant story about sisterhood at its core.Pub Date: May 14, 2024
ISBN: 9780593500293
Page Count: 304
Publisher: Ballantine
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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