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SEMI-SCRIPTED

A lightweight novel with a Latina heroine, a supporting cast of game-show contestants in Halloween costumes, and props that...

A Nicaraguan nurse visits the United States to compete for a grant and ends up meeting an aspiring television writer from Illinois who's interning on a tanking late-night show.

In this follow-up to her debut novel, Heger (Without Borders, 2016) launches into a screwball comedy that sustains its madcap energy for much of the exposition. Marisol Gutierrez is in LA to win funds for a grass-roots medical organization—and try out for her favorite game show—when she bumps into Evan Abramson, an intern at the disastrous So Late It’s Early Show. She agrees to be in its sparse audience but finds herself in a skit with him instead; their chemistry results in a ratings spike, and they're tagged as a couple on social media (#Marivan). Despite some misgivings, Marisol trades additional appearances on the show for the promise of its crew’s help in professionalizing her grant presentation. As she and Evan film a series of dopey interactions where she plays his dating guru, they start to fall in love. There are some funny episodes involving Marisol coaching Evan through bad pickup lines and staged dates against campy backdrops; others flesh out their individual histories and family dynamics. But the attempt to show the clueless bigotry of non-Latinos can edge into caricature, and the grant competitors who try to sabotage Marisol’s application come across as unfortunate stereotypes of bitchy women. While the comic pace slackens in the last third of the book, the question of how the romance and the grant will turn out keep the reader’s interest.

A lightweight novel with a Latina heroine, a supporting cast of game-show contestants in Halloween costumes, and props that include fake dog poop—think Katie MacAlister meets Jimmy Fallon.

Pub Date: Nov. 8, 2016

ISBN: 978-1-68230-303-0

Page Count: 224

Publisher: Diversion Books

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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