A thought-provoking look at the good-girl/bad-girl dichotomy.
A Nebraska teen blames herself for unwanted attention that might be sexual assault.
White Rosie, with her pale, Angelina Jolie–like beauty, is used to being leered at by boys and men—and she likes it. Her skewed, immature worldview keeps her from seeing that her best friend, Maddie, back from a summer in Spain, no longer needs her social guidance. Even before junior year, Rosie has hooked up with one guy after another, earning her a reputation for “the famous Rosie Fuller Stopwatch.” At a party with her friends (mostly also white), Rosie floats from the “best part of the night, the just-beginning-to-get-drunk part,” to being too drunk to fully comprehend what’s happening when Cory, a football player who “looks like someone’s Hollywood version of a corn-fed Midwestern boy,” begins to force himself on her, stopping only when Maddie appears. Rosie’s assumption that the near rape was her own fault stems from the self-centeredness she’s developed by being constantly in the spotlight. Through Rosie’s present-tense narration, Maciel examines societal pressures on girls to equate self-worth and looks. The book’s message is delivered in an uneven way, however, depicting the very real perils that young women face in the context of a somewhat dated, superficial version of high school life. What is realistic, though, is the fact that such experiences are rarely wrapped up neatly.
A thought-provoking look at the good-girl/bad-girl dichotomy. (Fiction. 13-17)Pub Date: April 25, 2017
ISBN: 978-0-06-230533-6
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
Refreshing and moving: avoids easy answers and saviors from the outside.
From Sudan to Maine, in free verse.
It's 1999 in Juba, and the second Sudanese civil war is in full swing. Viola is a Bari girl, and she lives every day in fear of the government soldiers occupying her town. In brief free-verse chapters, Viola makes Juba real: the dusty soil, the memories of sweetened condensed milk, the afternoons Viola spends braiding her cousin's hair. But there is more to Juba than family and hunger; there are the soldiers, and the danger, and the horrifying interactions with soldiers that Viola doesn't describe but only lets the reader infer. As soon as possible, Viola's mother takes the family to Cairo and then to Portland, Maine—but they won't all make it. First one and then another family member is brought down by the devastating war and famine. After such a journey, the culture shock in Portland is unsurprisingly overwhelming. "Portland to New York: 234 miles, / New York to Cairo: 5,621 miles, / Cairo to Juba: 1,730 miles." Viola tries to become an American girl, with some help from her Sudanese friends, a nice American boy and the requisite excellent teacher. But her mother, like the rest of the Sudanese elders, wants to run her home as if she were back in Juba, and the inevitable conflict is heartbreaking.
Refreshing and moving: avoids easy answers and saviors from the outside. (historical note) (Fiction. 13-15)Pub Date: May 1, 2012
ISBN: 978-0-7614-6267-5
Page Count: 224
Publisher: Marshall Cavendish
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
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