by Amanda West Lewis ‧ RELEASE DATE: Sept. 1, 2016
Solid.
A German boy comes of age during World War II.
Peter is only 10 in 1939 when his mother registers him for Gymnasium, an elite school for German children with “pure” families, and the Jungvolk, the social organization for children too young for the Hitler Youth. There he is taught that Aryans are scientifically superior to other races and plays war games. Though there is never enough to eat, Peter and his neighbors are heartened by Chancellor Hitler’s radio promises of success through duty and loyalty. But as the war continues, Peter’s disillusionment grows as he proceeds through the ranks of the believers. When he and his friends return to Hamburg after Hitler’s defeat, they find their city devastated and learn that their revered leader was a sadistic killer responsible for “the murder of six million souls.” The novel takes its time, hewing closely to true events and only really taking off in the last third, when Peter and his friends survive several narrow escapes as they flee their doomed camp. However, Lewis’ detailed setting descriptions will provide readers with an accurate portrait of war-torn Germany, Hungary, and Denmark. Such details as the arithmetic that asks children to calculate how much various quantities of disabled people cost the state and the wholesaler who gives Peter what he calls “one of the last oranges in Germany” bring the reality home to them.
Solid. (glossary, author’s note, author interview) (Historical fiction. 10-15)Pub Date: Sept. 1, 2016
ISBN: 978-0-88995-544-8
Page Count: 288
Publisher: Red Deer Press
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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by Jane Yolen ‧ RELEASE DATE: March 6, 2018
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Jane Yolen ; illustrated by Kathryn Brown
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by Jane Yolen ; illustrated by Cathrin Peterslund
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by Jane Yolen ; illustrated by Paolo Domeniconi
by Ruth Behar ‧ RELEASE DATE: Feb. 6, 2024
Powerful and resonant.
Four 12-year-old Sephardic Jewish girls in different time periods leave their homelands but carry their religion, culture, language, music, and heritage with them.
King Ferdinand and Queen Isabella’s expulsion of the Jews from Spain in 1492 sends Benvenida fleeing from Toledo with her family, though she promises to remember where she came from. In 1923, Reina celebrates Turkish independence with her longtime friend and neighbor, a Muslim boy, causing her strict father to disown her and send her to live with an aunt in Cuba as punishment. Reina brings her mother’s oud with her and passes it on to Alegra, her daughter, who serves as a brigadista in Castro’s literacy campaign before fleeing to the U.S. in 1961. In Miami in 2003, Paloma, Alegra’s daughter, who has an Afro-Cuban dad, is excited to travel to Spain with her family to explore their roots. They find a miraculous connection in Toledo. Woven through all four girls’ stories is the same Ladino song (included with an English translation); as Paloma says, “I’m connected to those who came before me through the power of the words we speak, the words we write, the words we sing, the words in which we tell our dreams.” Behar’s diligent research and her personal connection to this history, as described in a moving author’s note, shine through this story of generations of girls who use music and language to survive, tell their stories, and connect with past and future.
Powerful and resonant. (sources) (Historical fiction. 10-15)Pub Date: Feb. 6, 2024
ISBN: 9780593323403
Page Count: 272
Publisher: Nancy Paulsen Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Ruth Behar & Gabriel Frye-Behar ; illustrated by Maribel Lechuga
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by Ruth Behar ; illustrated by Devon Holzwarth
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by Ruth Behar
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