Still absorbing, if not as polished as its predecessor.
This sequel to the excellent Gated (2013) follows former cult member Lyla as she struggles to adjust to the outside world while fighting off the calls of her family to rejoin their doomsday sect led by charismatic and dictatorial Pioneer.
In the first book, Lyla struggled to escape the Community; now, she deals with her emotions: toward her parents, who remain enthusiastically in the cult, toward former Intended Will, and toward Cody, the sheriff’s son with whom she is starting a possible romance and with whose family she now lives. Additionally, some residents of the small town make it clear they want Lyla out. The town government decides to send all the cult children to the same high school, lumping Lyla in with them, thus causing Lyla even more grief as she attempts to distance herself from them. Pioneer, operating from jail rather like Charles Manson, manages to maintain ultimate control over the Community, with flunky Mr. Brown leading increasingly violent attempts to intimidate Lyla. Parker resorts to a couple of rather unrealistic contrivances to set up the suspense in this book: It’s hard to believe that officials would throw Lyla together with her former cult members and send the cult children back to their still-obsessed families. Nevertheless, Lyla’s psychological turmoil comes across effectively, and the suspense builds to an extremely exciting climax.
Still absorbing, if not as polished as its predecessor. (Fiction. 14-18)Pub Date: Aug. 26, 2014
ISBN: 978-0-449-81602-8
Page Count: 352
Publisher: Random House
Review Posted Online: Aug. 11, 2014
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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