by Amy Hest & illustrated by Elivia Savadier ‧ RELEASE DATE: Oct. 1, 2009
A little girl kindly helps a lost bear cub she meets on Broadway as they set off together to find his mother. When his plaintive call finally leads his mother to him, the girl waves goodbye and runs home to tell her own mama all about her adventure. Hest’s sweet, very slight tale has an air of innocence about it as the little girl instructs readers on the proper, polite way to behave in this situation. This is a New York in which a child can go confidently about her neighborhood on her own, knowing that she will safely return home to her own mother. Savadier’s delicate black-line drawings capture, with just-right accuracy, a busy Upper West Side neighborhood filled with shops and people and apartment buildings. The girl and the bears are brightly defined while the settings are rendered in soft, autumn colors. The endpapers expand the Broadway scenes as they provide a preview of the tale at the beginning and a bit of an epilogue at the end. Gentle and winning. (Picture book. 3-7)
Pub Date: Oct. 1, 2009
ISBN: 978-0-374-40015-6
Page Count: 40
Publisher: Melanie Kroupa/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
Share your opinion of this book
More by Amy Hest
BOOK REVIEW
by Amy Hest ; illustrated by Taeeun Yoo
BOOK REVIEW
by Amy Hest ; illustrated by Erin E. Stead
BOOK REVIEW
by Amy Hest ; illustrated by Renata Liwska
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
Awards & Accolades
Likes
24
Our Verdict
GET IT
New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Share your opinion of this book
More by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
BOOK REVIEW
by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
Share your opinion of this book
More by Tish Rabe
BOOK REVIEW
by Tish Rabe ; illustrated by Jim Valeri
BOOK REVIEW
by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.