An entertaining, brilliantly shot look at a Texas high school tradition.
Schultz explores the culture of Texas homecoming mums in this debut book of photography and reportage.
Across the country, high school girls often wear chrysanthemum corsages to their yearly homecoming football games. In Texas, however—where everything is bigger—the homecoming mum has morphed into an elaborated affair featuring as many as twenty artificial mums personalized with ribbons, beads, feathers, trinkets, messages, and the like. Schultz, who attended high school in Florida, first encountered the phenomenon of Texas homecoming mums after moving to the Lone Star State as an adult. She was immediately fascinated: “Is a mum just a mum or is a mum a metaphor?” she wonders early in the book. “Is the thing greater than the sum of its parts, much like the person who wears it, or the state in which it thrives, or the society in which it stands?” With this book, Schultz sets out to explore—through stories and photographs—the culture of mums: how the tradition originated, how it has changed over the years, and what it means for the schools, students, parents, and communities who participate. It’s a tale rooted in a particularly Texan love of maximalism, but one that also tells a larger story of the human need for ritual and pageantry. Schultz’s spirited prose vividly captures the colors and textures of the mums and their wearers, as when the author gets to try one on and strut around: “When you’re enveloped in a mum of this size, there’s no direction to go but forward. As I found my footing to steer all three of my dimensions, the mum audibly cheered me on, because woven into it was a waterfall of sleigh bells and cowbells. With my every step, twist, and gesture, the bells involuntarily created a manic and discordant melody.” The many eye-catching black-and-white photographs are as instrumental as the text in communicating the soul of mum culture. Both seasoned Texas home-comers and readers completely unfamiliar with the tradition will be equally charmed by this beguiling quirk of Americana.
An entertaining, brilliantly shot look at a Texas high school tradition.Pub Date: April 25, 2023
ISBN: 9781639885657
Page Count: 178
Publisher: Atmosphere Press
Review Posted Online: May 10, 2023
Kirkus Reviews Issue: June 15, 2023
Review Program: Kirkus Indie
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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