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THE SALT OF THE UNIVERSE

PRAISE, SONGS, AND IMPROVISATIONS

An uneven collection with just a few more misses than hits.

Essays that explore fundamentalism, nature, music, and wombats.

In Leach’s third collection, the “overchurched” former Seventh-day Adventist seeks to “let my soul speak for itself.” Featuring a kind of choppy, often rambling comic approach, the author prefers wit, humor, and sarcasm while making her points. In “The Answer Book,” she lambastes the Adventists (“prophecy cranks”) and their world-will-end-tomorrow beliefs: “while the apocalypse is sexy short-term, long-term it’s a slog.” A later essay, “Put That in Your Pipe and Smoke It,” is Leach’s exuberant defense for being a vegetarian while swiping at fellow vegetarian Ellen White, the Adventists’ co-founder and author of countless commandments, including “cheese should never be introduced into the human stomach.” In “The Apicklypse,” the author chronicles her gradual call to freedom from Adventism. In the less strident second section, Leach returns to topics explored in her first two collections: nature and animals. “Old Hat” is a discourse on flowers, trees, cows, the meaning of Christmas, and enjoying a “dance to birdsong.” “Lucky Duck” provides a list of some of the “characters” who live in the author’s Montana neighborhood, from bears to chickens to moose. In “Laughing Willows,” Leach asks us to stop and consider the willows, which “look like wrestlers.” In Part 3, the author takes on the concept of rapture, object permanence, and “insipid” contemporary Christian music. In one of the book’s best essays, the musically gifted Leach feels inhabited by “phantoms, lightning, mazurkas, mice” while playing the piano or violin. “Salt Is Good” angrily recalls how, as students, they were ordered to tear out the first few pages of their biology book “to protect ourselves from encountering evolution. We canceled evolution.” Each essay ends with a sort of footnoted “reprise” in which Leach briefly riffs on topics previously covered.

An uneven collection with just a few more misses than hits.

Pub Date: Aug. 6, 2024

ISBN: 9780374607920

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 28, 2024

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ACCIDENTALLY ON PURPOSE

Top Chef fans might savor this detailed account, but others will find it bland.

The Top Chef host describes her journey to new heights.

For those who don’t know, Kish is a “gay Korean adopted woman, born in Seoul, raised in Michigan” and “a chef, a character, a host, and a cultural communicator—as well as a human being with a beating heart.” Though this book covers every step of her journey, every restaurant job and television role, and also discusses her experience as an adoptee (very positive) and a queer woman (late bloomer), the storytelling is so straightforward, lacking in suspense, character development, or dialogue, that it is basically a long version of its (longish) “About the Author.” Seemingly dramatic situations are not dramatized—when she was eliminated on her first Top Chef run, she assures us that she did the best she could, and drops it. “I can spare you the gory details (bouillabaisse and big personalities were involved).” Later, she cites a belief in protecting the privacy of others to omit the story of her first relationship with a woman. With no character development, neither does the reader get to know those who fall outside the privacy zone, like her best friend, Steph, and her wife, Bianca. When she gets mad, she says things like, “It’s a gross understatement to say I was crushed, beyond frustrated, and furious with the situation.” The fact that “I’ve never been a big reader” does not come as a surprise. It is more surprising when she confesses that “I believe the universe is selective about the moments in which it introduces life-changing prospects.”

Top Chef fans might savor this detailed account, but others will find it bland.

Pub Date: April 22, 2025

ISBN: 9780316580915

Page Count: 368

Publisher: Little, Brown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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