The team that created Tree of Hope (1999) returns to present a story of the 1964 Mississippi Summer Project. Jolie is frightened by the presence of Annie, the white Freedom Rider her mother has volunteered to host over the summer, and she is reluctant to attend the Freedom School Annie will teach. But when a brick crashes through her window, and the church that is to hold the school burns down, Jolie realizes that daring to learn about her heritage in the face of hate is the best way to fight back. Littlesugar’s prose effectively captures the pervasive fear felt by the African-American community and evokes the almost electric excitement of learning about a proud history for the first time. “Annie spoke of a free black man from long ago. ‘Benjamin Banneker was his name,’ she said. ‘He was a mathematician, a farmer, but more than anything else, he loved the stars.’ ” Cooper’s muted, oil-wash illustrations are equally expressive when presenting a close-up of a stern Uncle Shad, admonishing Jolie not to let “bein’ scared” get in her way, as when depicting a long view of Annie teaching under an old hickory tree, the children at her feet and 70-year-old Miss Rosetta in her chair. Some illustrations are not so successful (as when Annie appears to be almost shouting a lesson about Harriet Tubman at Jolie), but this slight unevenness does not mar the effect of the whole. A loving, touching, and inspiring presentation of an often-overlooked chapter of the civil-rights saga. Includes author’s note and bibliography. (Picture book. 5-9)
Pub Date: Jan. 1, 2001
ISBN: 0-399-23006-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits.
Rappaport examines the salient successes and raw setbacks along the 144-year-long road between the nation’s birth and women’s suffrage.
This lively yet forthright narrative pivots on a reality that should startle modern kids: women’s right to vote was only achieved in 1920, 72 years after Elizabeth Cady Stanton organized the first Women’s Rights Convention in Seneca Falls, New York. Indeed, time’s passage figures as a textual motif, connecting across decades such determined women as Stanton, Sojourner Truth, Susan B. Anthony, and Lucy Stone. They spoke tirelessly, marched, organized, and got arrested. Rappaport includes events such as 1913’s Women’s Suffrage Parade in Washington, D.C., but doesn’t shy from divisive periods like the Civil War. Faulkner’s meticulously researched gouache-and-ink illustrations often infuse scenes with humor by playing with size and perspective. As Stanton and Lucretia Mott sail into London in 1840 for the World Anti-Slavery Conference, Faulkner depicts the two women as giants on the ship’s upper deck. On the opposite page, as they learn they’ll be barred as delegates, they’re painted in miniature, dwarfed yet unflappable beneath a gallery full of disapproving men. A final double-page spread mingles such modern stars as Shirley Chisholm and Sonia Sotomayor amid the historical leaders.
Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits. (biographical thumbnails, chronology, sources, websites, further reading, author’s note) (Picture book/biography. 6-8)Pub Date: Feb. 23, 2016
ISBN: 978-0-7868-5142-3
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
A quietly compelling look at an impoverished family’s resourcefulness and resilience.
Wheeler shares a poignant tale, based on her grandmother’s childhood, of a Depression-era family’s hard times.
Marvel, 6, has seven siblings. Their newly widowed mother guides them, as they carry their worldly goods along, into the woods, where they find an abandoned shack. Though decrepit, it’s got a root cellar, a functioning water pump, a wood stove, and a garden spot rich with leaf mold. As summer yields to autumn, Mum does chores for pay in town. The children draw lots for the home tasks: laundry (hand-scrubbed and hung to dry), wood-splitting, and more. A bountiful harvest engenders prodigious canning as the family prepares for the bitter weather ahead. While the children must buy only basic supplies at the general store, their doleful window shopping produces an inventive outdoor game, in which “We can buy anything we want!” Winter brings snow and cold, quilting, reading by the wood stove, and a wild-turkey stew. Wheeler’s lovely ink-and-watercolor double-page spreads, in somber grays, sunlight yellow, and meadow green, evoke both the period and the family’s stark poverty. The thin faces are gray-white, with dark hair and pale pink cheeks. Delicate visual details abound, from the sparkle of evening raindrops to Mum’s side-buttoned apron. Marvel’s ruminative narration takes occasional poetic turns: “Mum stays awake / into the night… / …whispering / to / the / stars.”
A quietly compelling look at an impoverished family’s resourcefulness and resilience. (author’s note) (Picture book. 5-9)Pub Date: Oct. 1, 2019
ISBN: 978-0-399-16290-9
Page Count: 40
Publisher: Nancy Paulsen Books
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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