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THE ANT AND THE GRASSHOPPER

Aesop’s fable gets a Northern Chinese setting in this stiffly formal version. As the ants, “mindful of the winter to come,” work “to secure their home against the impending cold and snow,” Grasshopper idly enjoys watching the activities of the Emperor and his court—and so is caught flat when the court suddenly moves away to its winter quarters, and the ants too disappear. The tale thereupon ends abruptly, with neither the moral nor Grasshopper’s fate made explicit. The illustrations are also sketchy, reduced to essentials. Though Poole (How The Rooster Got His Crown, 1999) sets this in the Imperial Summer Gardens, near which she lived for four years, backgrounds are suggested with, at most, a few brushstrokes. Similarly, patterns on the court’s robes are indistinct, as are the courtiers’ faces, and for a garden, the visible landscapes look surprisingly bare. Grasshopper himself is rendered in a stylized way, with a flexible, mantis-like neck, human eyes, and legs that seem to migrate along his body from scene to scene. Poole uses traditional Chinese brushes and techniques here, and judging from the visual result and the appended note seems more focused on the technical exercise than the story. Still, children will get the point, as well as a ground-level glimpse of a vanished way of life, and picture book versions of the fable are rare. (Picture book/folktale. 7-9)

Pub Date: Sept. 15, 2000

ISBN: 0-8234-1477-9

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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NO ROOM FOR FRANCIE

Macdonald (Lots of O'Learys, 1994, etc.) hits the mark with this offering in the Chapters series of books. Francie wants to have the next meeting of the second-grade Comics Club at her house, but she has no privacy; with six kids in her family, including infant twins, the house is too crowded. She hopes to transform the old toolshed out back into a meeting place, but has no time to fix it up and only one friend to help her. Clear conflict, good pacing, and solid characterizations will keep new readers turning the pages, even if the references to comic strips are somewhat dated. Christelow's black-and-white illustrations are a good complement to the tale, making the lighthearted text even more accessible to new and reluctant readers. (Fiction. 7-9)

Pub Date: Nov. 1, 1995

ISBN: 0-7868-0032-1

Page Count: 60

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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IAN PENNEY'S BOOK OF FAIRY TALES

The Billy-Goats-Gruff, Rapunzel, Sleeping Beauty and more of the usual suspects play out their tales on some of Great Britain's historic sites and estates: Stowe, the Giant's Causeway, Kedleston in Derby, the ``Bear's Hut'' on the grounds of Killeston, the garden tower at Cornwall's Trelissick, and Chirk Castle. Penney (Ian Penney's Book of Nursery Rhymes, 1994, not reviewed, etc.) has done plenty of adapting—Rapunzel's tale begins in the tower, and Hansel and Gretel only lock the witch in her cellar until she promises to mend her ways, then settle in with her and their woodcutter father in the scrumptious home—but the tales are comfortably familiar, with all but two of the eight tied to recognizable, theoretically visitable places. Viewers will linger over Penney's tiny, finely brushed architectural details and flora and fauna (not to mention the luscious bush pastries that tempt Hansel and Gretel), though the great houses and their surroundings are only glimpsed. Some of the appeal will be wasted on American children, but travelers, even of the armchair variety, might give it a go. (Picture book/folklore. 7-9)

Pub Date: Dec. 1, 1995

ISBN: 0-8109-3740-9

Page Count: 44

Publisher: Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1995

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