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THE ANT AND THE GRASSHOPPER

Aesop’s fable gets a Northern Chinese setting in this stiffly formal version. As the ants, “mindful of the winter to come,” work “to secure their home against the impending cold and snow,” Grasshopper idly enjoys watching the activities of the Emperor and his court—and so is caught flat when the court suddenly moves away to its winter quarters, and the ants too disappear. The tale thereupon ends abruptly, with neither the moral nor Grasshopper’s fate made explicit. The illustrations are also sketchy, reduced to essentials. Though Poole (How The Rooster Got His Crown, 1999) sets this in the Imperial Summer Gardens, near which she lived for four years, backgrounds are suggested with, at most, a few brushstrokes. Similarly, patterns on the court’s robes are indistinct, as are the courtiers’ faces, and for a garden, the visible landscapes look surprisingly bare. Grasshopper himself is rendered in a stylized way, with a flexible, mantis-like neck, human eyes, and legs that seem to migrate along his body from scene to scene. Poole uses traditional Chinese brushes and techniques here, and judging from the visual result and the appended note seems more focused on the technical exercise than the story. Still, children will get the point, as well as a ground-level glimpse of a vanished way of life, and picture book versions of the fable are rare. (Picture book/folktale. 7-9)

Pub Date: Sept. 15, 2000

ISBN: 0-8234-1477-9

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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THUNDER ROSE

Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)

Pub Date: Sept. 1, 2003

ISBN: 0-15-216472-3

Page Count: 32

Publisher: Silver Whistle/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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SERENA KATZ

All of Elmsville is excited to hear that Mr. Duncan and his family are off to N.Y.C. to visit the great Serena Katz—but is she who they think she is? The postmistress remembers her as ``the Katz Meow,'' the West Side's best pool-player; a neighbor as a show-stopping magician; another as the creator of fabulous wedding cakes; and yet another as ``Krazy Katz,'' motorcycle racer. Mr. Duncan knows only that she runs a hardware store and buys his paint. Alley, whose watercolors are, as usual, lively and well-crafted, does a wonderful job of building anticipation, depicting everyone's memories but showing only a glimpse of Serena Katz's hand or foot in each scene. When at last the Duncans reach her door, they find a pleasant little old lady in sneakers who briskly sends them on a whirlwind tour of the city. Are the stories about her true? Oh, yes, and more besides. Has she left all that behind? Not likely: the spirit of adventure is ageless. A treat for readers who find Miss Rumphius a bit too genteel. (Picture book. 7-9)

Pub Date: March 31, 1992

ISBN: 0-02-744901-0

Page Count: 32

Publisher: Palgrave Macmillan

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

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