Poole gives her retelling of Hans Christian Andersen’s story of five peas in a pod an Eastern flavor by setting it in “a small garden near the great city of Beijing.” Waiting in their shell, the five peas dream of the future. First pea wants to fly to the sun to “dance with the raven who rules the day.” Second pea hopes to fly to the moon and “dance with the toad who rules the night.” Third and fourth peas want to dine with the emperor in his palace. Ironically, all four peas get their wishes. Content to go where destiny sends him, fifth pea lands on the windowsill of a house where a poor woman lives with her sick daughter. Here he philosophically takes root, grows and blossoms, inspiring the sick girl to health. Poole successfully repackages Andersen’s familiar tale of transformation by adding bits of Chinese mythology as well as ink, gouache and rice-paper illustrations whose delicate lines and muted earth tones evoke Chinese scroll paintings. First class. (author’s note) (Picture book. 4-8)
Pub Date: March 1, 2005
ISBN: 0-8234-1864-2
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
BOOK REVIEW
BOOK REVIEW
A marketing trip from Miranda (Glad Monster, Sad Monster, p. 1309) that jiggity jigs off in time-honored nursery-rhyme fashion, but almost immediately derails into well-charted chaos. The foodstuffs—the fat pig, the red hen, the plump goose, the pea pods, peppers, garlic, and spice—are wholly reasonable in light of the author's mention of shopping at traditional Spanish mercados, which stock live animals and vegetables. Stevens transfers the action to a standard American supermarket and a standard American kitchen, bringing hilarity to scenes that combine acrylics, oil pastels, and colored pencil with photo and fabric collage elements. The result is increasing frazzlement for the shopper, an older woman wearing spectacles, hat, and purple pumps (one of which is consumed by her groceries). It's back to market one last time for ingredients for the hot vegetable soup she prepares for the whole bunch. True, her kitchen's trashed and she probably won't find a welcome mat at her supermarket hereafter, but all's well that ends well—at least while the soup's on. (Picture book. 4-8)
Pub Date: Oct. 1, 1997
ISBN: 0-15-200035-6
Page Count: 36
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
In Brown's swashbuckling watercolors, Boris is tough indeed — hirsute, craggy, grim — but then, "All pirates are tough." As Fox's text succinctly points out, he's also "massive," "scruffy," "greedy," and "fearless," all qualities demonstrated in the illustrations as he seizes a violin from one of his crew, threatens the whole ugly lot after it's been purloined (readers will know that the stowaway boy, who earlier watched while the pirates buried their treasure, is the real culprit). The "scary" pirates catch the boy but soften when they hear him play; and when Boris's parrot dies, the boy helps him put it in the violin case for burial at sea and Boris cries and cries — "All pirates cry." These pirates also let the boy keep the violin when they row him home. Kids are sure to enjoy puzzling out the real story from the pictures, to which, in the end, the text's childlike stereotyping makes an amusing contrast. (Picture book. 4-8)
Pub Date: April 1, 1994
ISBN: 0-15-289612-0
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
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