A cute, queer romance plus a sweet exploration of the special bond between sisters.
Lydia is a whole 13 months older than Penny, but she’s never felt like the big sister.
According to Lydia, Penny is perfect—she has a detailed plan for the future and the grades to back it up. Lydia feels like she’s constantly in her sister’s shadow. She also doesn’t have any close friendships and is a serial monogamist with a tendency to let boy drama control her life. After a boy-crazy high school year with disastrous repercussions, the sisters make a pact: They’ll have a summer free of boys, one spent living with their cool aunt and uncle in Los Angeles. After Lydia falls for Fran, a cute girl she meets while working as a barista, readers learn that Lydia has known she’s bisexual for quite some time but is not out to her family yet. Since Fran isn’t a boy, Lydia pursues the relationship in secret, deciding she’s not breaking the pact. Lydia’s relationship validates the bisexual experience through an enjoyable romance. While the disjointed and sometimes repetitive first-person narration can make the plot difficult to follow at times, Lydia successfully navigates her growing feelings for Fran, a new group of friends, and her sometimes strained relationship with Penny. This body- and sex-positive story will hold readers’ interest until it eventually reaches its satisfying conclusion. Lydia and Penny are White; Fran is cued as Latine.
A cute, queer romance plus a sweet exploration of the special bond between sisters. (Fiction. 13-18)Pub Date: April 18, 2023
ISBN: 9781419757525
Page Count: 304
Publisher: Amulet/Abrams
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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