Though the story is neatly resolved, the possibility of a sequel is still tantalizingly possible.
This compulsively readable science-fiction debut will appeal widely.
Seventeen-year-old Wren is one of many young people who, after dying of a widespread virus called KDH, came back to life. Called reboots, they are stronger and more aesthetically refined. They also tend to be more aggressive and less empathic; these traits become more pronounced with each minute spent dead. They are confined to Human Advancement and Repopulation Corporation facilities, where they are forced to train as soldiers who carry out the will of their captors. Dead for a record 178 minutes before she reanimated, Wren commands respect and is reasonably satisfied with her second life. But the introduction of a new detainee, Callum, to whom she’s inexplicably drawn coincides with her sickening realization that the humans have been experimenting on the lower-numbered reboots with terrifying results, leading her to forge a desperate escape. Though undeniably derivative of so many in the genre, this is a well-imagined story in its own right. Superb concepts and plotting will hook readers from the start, and though Wren echoes the reluctant-heroine trope common to many recent dystopian adventures, she is sympathetic. The tension between Wren and Callum is playful and often sweet, offering plenty to those who appreciate romance.
Though the story is neatly resolved, the possibility of a sequel is still tantalizingly possible. (Dystopian adventure. 14 & up)Pub Date: May 7, 2013
ISBN: 978-0-06-221707-3
Page Count: 384
Publisher: HarperTeen
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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