A refreshingly unsentimental novel of family.
In Daughters’ debut fantasy, a struggling writer travels home to Texas and magically goes back in time to 1978, where she encounters her younger self.
Amy Daughters (who shares the author’s name) is a married mother of two in her mid-40s who writes about sports. She takes a flight on a private plane—piloted by her husband’s boss’s wife, Mary—from Ohio to her native Houston to meet with her siblings and her elderly dad to plan his estate. During the flight, she takes a nap, and when she wakes up, she finds that she’s been mysteriously transported back in time to 1978. Mary tells Amy that she’ll be visiting her family members, including her younger self, for just a day and a half, masquerading as a distant cousin in town for Thanksgiving. Bewildered and intrigued, Amy meets the younger versions of her dependable dad, Dick; her perfectionist mother, Sue; her older sister, Kim; and Star Wars-fan brother, Rick. Amy struggles to remain composed, but she finds herself profoundly moved by the experience. Most of all, she’s concerned about her 10-year-old self—an awkward, exuberant ball of energy with a bowl cut. She wants to tell the girl, who’s desperate for attention and validation, that everything will be fine in the end. Grandparents arrive, Thanksgiving dinner is served, and later on, a drunken party with neighbors goes awry. Daughters’ back-in-time family drama is full of razor-sharp descriptions of 1970s suburbia (“Her hair was carefully coiffed, and she wore a stunning burnt-orange pantsuit that, though absolutely horrible, somehow worked for her”), along with witty observations that range in tone from deadpan to ebullient. The well-thought-out premise allows the protagonist narrator to figure out how she can best improve her past and her own present. However, the author supplies a tremendous amount of detail, which slows the pace of the novel, and advances in the plot can feel too far apart at times. But overall, this is a memorable and appealingly authentic story about reconciling with one’s younger days.
A refreshingly unsentimental novel of family.Pub Date: N/A
ISBN: 978-1-63152-583-4
Page Count: 272
Publisher: She Writes Press
Review Posted Online: Feb. 26, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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