Castillo’s truth-seeking characters leave an impression.
A new collection of stories from a grande dame of Chicana literature.
“Being who you are isn't static,” says Ada, a middle-aged nurse in the story "Ada and Pablo." She should know: Everything she thought was stable about her life in Mexico City with her husband, Pablo, has become unfamiliar, from a surprising new friendship at work with a young, handsome doctor, to physical changes wrought by menopause. Most unsettled of all is her decades-long marriage to Pablo, as rumors and suspicions swirl about his behavior. Ada is not the only character tangled in this web of secrets in Castillo’s collection, comprising seven long stories and a very brief prologue. A gay man whose accomplished sister, a professor in Chicago, dies suddenly goes through her papers and learns she had a secret life in Mexico that extended far beyond what he ever could have imagined of her (“Ven”). An architect visits the site of one of his elderly father’s oft-told family legends to discover the facts behind it (“Cuernavaca”). In the memorable title story, set in the mid-1970s, 18-year-old Katia, a budding feminist near the top of her Chicago high school's graduating class, is sent to Mexico by her father to retrieve her mother, who has abruptly abandoned the family. Katia, obsessed as she is with learning what being a woman truly means—how free a woman’s freedom can actually be—is shocked when she arrives in Mexico and learns her mother has fallen in love with another woman. Throughout these stories, Mexico is the source of both mystery and clarity, whether through characters’ histories as immigrants or children of immigrants, or because, as happens frequently, the characters in these tales must travel there, like Dorothy to Oz, to unlock knowledge which often has the potential to alter their lives.
Castillo’s truth-seeking characters leave an impression.Pub Date: May 16, 2023
ISBN: 9780063259416
Page Count: 256
Publisher: HarperVia
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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