A well-researched and compelling homage to Cervantes’ Dulcinea.
A feminist reclamation of Don Quixote’s Dulcinea that explores what happens when the woman who inspired the character is able to confront the writer.
Dolça Llull Prat is the daughter of a wealthy merchant. She’s confident, enjoys reading and painting, and, as her father says, “her curiosity is matched only by her impetuosity, and both are as long as a sennight of ceaseless rain.” She is multidimensional, unlike Don Quixote’s Dulcinea. The book opens with the arrival of distant relative Miguel de Cerbantes de Cortinas at Dolça’s family home in Barcelona. Upon meeting, Dolça and Miguel are immediately attracted to one another, and they begin a secret romance. Dolça prefers to read and speak in Catalan, so she calls him Miquel, because, she says, “that’s what it is in my tongue.” The plot and setting are firmly anchored with excellent historical details, and author Veciana-Suarez takes particular care to ensure the prominent languages in Spain at the time are well represented. Miquel the “poet-soldier” is not a man of Dolça’s status, so her parents disapprove of him—but this doesn’t dissuade Dolça. Miquel visits and writes often, until he abruptly stops. In his absence, Dolça’s parents arrange a marriage to Françesc d’Oms Calders, who they feel can provide the life to which she’s accustomed. Before the wedding takes place, however, Dolça receives news that Miquel was taken hostage, which explains his disappearance. She feels conflicted but goes ahead with the marriage anyway. When Miquel is released, they continue their affair despite the fact that she’s married. Years later, Miquel, who writes under the name Miguel de Cervantes Saavedra, publishes El Quixote, which includes a character named Dulcinea. The character’s description is unflattering, and the closeness to her name causes rumors about his and Dolça’s relationship to flourish. Dolça feels betrayed. Dulcinea, “the hidalgo’s muse,” inspires everything the title character does, which Miquel feels is a compliment. Chapters alternate between Dolça's page-turning memories in the late 1500s, following her romance with Miquel and their falling-out, with more slowly moving chapters set in the early 1600s as she travels to see him one last time.
A well-researched and compelling homage to Cervantes’ Dulcinea.Pub Date: May 2, 2023
ISBN: 9798200813414
Page Count: 350
Publisher: Blackstone
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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