Superb graphic art meets an exceedingly odd tale, and to wonderful ends.
A collection of the six issues (plus supplement) to date of Nilsen’s hallucinatory graphic novel.
A humanlike figure, bound to a rock in the faraway mountains, is visited daily by an eagle that eats its liver. The process starts all over the next day. It’s the tale of Prometheus, of course, though Nilsen calls him “The Prisoner.” The eagle is talkative, and a good chess player, though the Prisoner is better: “It’s your move,” he tells the eagle. “Your queen is under threat.” The whole world is under threat, as it happens, thanks to humans and their insatiable ways. Says another visitor, Prometheus’ brother Epimetheus, portrayed as a sort of antelope and bent on ending the human desecration of the planet, “I am acting not only to save the ten thousand species I most love, or to end the decimation of all life. I am acting to end its perversion to human ends.” There are humans aplenty in Nilsen’s tale, and most are indeed up to no good: There’s a Russian soldier of fortune, for instance, who’s bound up in intrigue, and a cult devoted to the god Omega, and a mysterious kid named Teddy Roosevelt who converses with, yes, a stuffed bear. Chickens talk, gods talk, bad guys talk, the young world-saver named Astrid talks. Only a monkey that bounces around at points in the tale keeps shtum, but one has the sense that the monkey knows much more than it’s letting on. The whole narrative has a decidedly otherworldly sense to it, a kind of Classics Illustrated run amok, and it’s utterly beguiling: throw in a magic cube to complicate the storyline, and while it may not make much sense, it doesn’t really have to if the reader suspends disbelief long enough to listen to an eagle trying to make sense of an iPhone.
Superb graphic art meets an exceedingly odd tale, and to wonderful ends.Pub Date: March 11, 2025
ISBN: 9781524747206
Page Count: 368
Publisher: Pantheon
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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