In these distinct and forthcoming original essays, five prominent writers offer their meditations on exile and memory. The authors represented in Aciman’s (Out of Egypt: A Memoir, 1995) collection are a varied lot—a not atypical sampling of men and women who have found their way to the US from around the world: Aciman, an Alexandrian in exile via Paris; Eva Hoffman, a Pole in exile via Canada; Bharati Mukherjee, a Bengali in Berkeley; Edward Said, a Palestinian exile via Egypt; and Charles Simic, a Yugoslav exile of 1945 vintage. These voices of exile are unusually eloquent ones. All five authors are non-native speakers who write professionally in English. For them, the common duality and instability of exile are heightened by the very nature of their work. Aciman puts it well: “their words . . . are the priceless buoys with which they try to stay afloat both as professional thinkers and human beings.” The five essays differ in tone and style. The collection begins with Aciman’s lyrical and imaginative essay on a park in New York that reminds him of the places of his past, or his “shadow cities,” and reaches its gravest moments in the heavy seriousness of Said’s reflections on his professional and personal journey in America, with frequent references to Adorno. Hoffman examines the contradictions inherent in nomadism and diasporism, referring to her own life and those of other East European literary figures such as Nabokov, Kundera, Milosz, and Brodsky. Mukherjee, coming from a different perspective, writes about the process of immigration in the US as “the stage, and the battleground, for the most exciting dramas of our time.” Aciman made the right choice in closing with Simic’s poem “Cameo Appearance” and his droll essay on his youthful exile and on the speed with which exile teaches the arbitrary nature of an individual’s existence. A thoughtful and diverse collection with a distinctly literary bent.
Pub Date: May 1, 1999
ISBN: 1-56584-504-8
Page Count: 128
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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