A muddled celebration of trees falls victim to soggy sentiment. In two sets of rhyming couplets each, ten different trees are individually introduced to readers with a quality they are said to embody—an identification that seems entirely arbitrary. The language and sentiments of the verse will likely be beyond the understanding of Gosline’s target audience (or, for that matter, most anyone). The paper birch: “I am the tree of honesty. / I surrender strong and true, / build a bridge from me to you, / revealing great integrity / in honor of a trusted tree. / I open.” Backmatter includes the types of trees depicted and presents some facts about each. Also included is a list of the 50 states and their official trees. Bossi’s gorgeous jewel-toned illustrations featuring anthropomorphized trees are sure to be pored over by young readers, who will be taken in by their fairy-forest quality. While there is no doubt that humanity can learn much from trees and their interactions with their environments, this gooey treatment does not come close to effectively conveying those lessons. (Picture book. 5-8)
Pub Date: Sept. 1, 2008
ISBN: 978-0-312-37017-6
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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