by Andrea L. Rogers ; illustrated by Madelyn Goodnight ‧ RELEASE DATE: May 7, 2024
Serves up a delicious story, rich in culture and community, that will bring readers back for more.
A Cherokee community observes the beginning of spring with a feast.
As the nights get shorter, “the frost melts,” and “the dark clouds flee,” it’s time to get ready for a big meal. Everyone has a job to do. Mama puts the finishing touches on a basket, while Agilisi (Cherokee for Grandmother) sews a dress. Meanwhile, Daddy and Agiduda (Grandfather) are busy in the garage. The young child who narrates replenishes the henhouse with hay. Soon, family and community members head into the woods to forage for wild onions. The next day, they gather at the community center to prepare the meal. “Mama stirs and cooks. Agilisi tastes and seasons. Daddy kneads and shapes. Agiduda fries and turns.” Finally, Agilisi gives thanks to the Creator, and everybody enjoys corn soup, wild onions and eggs, and grape dumplings. Rogers (Cherokee Nation) imbues her text with warmth and playfulness; readers will smile when the narrator describes trimming wild onions as giving them haircuts. The pacing picks up in the kitchen scenes; word choice and the use of alliteration speak to the senses and heighten the excitement. Goodnight’s (Chickasaw Nation) gentle illustrations depict a supportive, tightknit community. Cherokee values—reciprocity, cooperation, respect, and kinship—are on full display. In an author’s note, Rogers reflects on the history of the Cherokee Nation and discusses the cultural significance of wild onion dinners.
Serves up a delicious story, rich in culture and community, that will bring readers back for more. (about food and recipes, glossary, a note from Heartdrum author-curator Cynthia Leitich-Smith) (Picture book. 4-8)Pub Date: May 7, 2024
ISBN: 9780063076792
Page Count: 40
Publisher: Heartdrum
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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