by Andrea Stuart ‧ RELEASE DATE: April 1, 2004
Unfailingly interesting: a sturdy life of a woman often overlooked in the vast library of Napoleonic studies.
A sometimes florid but engaging life of Napoleon’s true love, a woman ill served by circumstances.
Marie-Josèphe-Rose-Claire des Vergers de Tascher de la Pagarie was born on a plantation in Martinique, “a complicated place during a tumultuous time,” a voluptuous island that had just narrowly escaped becoming a British possession: “In a treaty concluded with Britain in 1763, when presented with the choice of holding on to Canada . . . or to the commercially and strategically important ‘sugar islands’ . . . the French chose the latter,” writes Critical Quarterly fiction editor Stuart (Showgirls, not reviewed). The French decision was fateful, for it kept Martiniquaise society well within Paris’s orbit; thus it was that young Rose came to France, “plump, provincial, and adolescent,” intended for the nobleman Alexandre de Beauharnais, whom students of French literature remember as the model for Valmont in Laclos’s Dangerous Liaisons. It wasn’t a happy marriage, writes Stuart, but it brought Rose into the best circles of aristocratic Paris, a dangerous place to be in revolutionary times—“it is hard to imagine that she escaped the profound disturbances which beset her contemporaries, many of whom reported a litany of psychological and physical disorders including nightmares, sleeplessness, anxiety and depression,” Stuart writes—but a good place to be noticed. Notice her Napoleon Bonaparte, himself an island-born outsider, did, and Stuart writes lucidly of their seemingly improbable romance, improbable, perhaps, because the young woman whom Napoleon would call Josephine had become a beauty, whereas Napoleon was a “small, sickly man” who was, a contemporary said, “given to inappropriate outbursts of laughter which did little to endear him to others.” Romance became partnership, and Stuart credits Rose/Josephine for her enlightened influence over the dictator, who famously divorced her while in exile on Elba for her inability to produce an heir to the throne.
Unfailingly interesting: a sturdy life of a woman often overlooked in the vast library of Napoleonic studies.Pub Date: April 1, 2004
ISBN: 0-8021-1770-8
Page Count: 480
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2004
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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