A smart and thought-provoking reassessment of the value of boredom and frustration.
A look at the possible upsides of negative emotional states.
University of Louisville associate philosophy professor Elpidorou’s intriguing new book looks at not only the inevitability of so-called negative emotions—such as boredom, frustration, and anticipation—but also their worth and even the advantages that they can bestow. Human existence involves both ups and downs, he says, and temporary negative emotions are a necessary part of leading a meaningful life: “Life requires failures and pains just as much as it demands successes and pleasures,” he writes. Elpidorou takes readers through comprehensive breakdowns of what boredom and frustration truly are, using clear examples and an open, engaging prose style to shows how they’ve been viewed by various philosophers, psychologists, and authors over the years. He also effectively addresses how such emotions alter how people experience the passage of time. This latter aspect turns out to be a key element of the book’s analysis, because this time-warping effect also helps to foster a feeling of stagnation. Even so, the author argues, such states “contain the potential to liberate us.” In every section of every chapter, Elpidorou is rigorously thoughtful and quotably readable as he discusses unpalatable emotions that most people want to avoid. At one point, for instance, he notes that “Boredom emphasizes what it disrupts or takes away. It forces us to see things anew.” The cumulative effect is a strong and ultimately persuasive case that when life gives you lemons, you should simply value the lemons—a counterintuitive argument, to be sure, but one that the author convincingly backs up over the course of his book.
A smart and thought-provoking reassessment of the value of boredom and frustration.Pub Date: June 1, 2020
ISBN: 978-0-19-091296-3
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
PERSPECTIVES
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...
A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.
The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.
Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.Pub Date: Nov. 1, 2011
ISBN: 978-0-374-27563-1
Page Count: 512
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 3, 2011
Kirkus Reviews Issue: Sept. 15, 2011
BOOK REVIEW
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IN THE NEWS
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