A haunted story about unfinished lives, the persistence of hope, and the consequences of grief without end.
Two government agents head to the American heartland to investigate a resurrection.
Hudson brings refreshing common sense and keen intelligence to this fantastical tale about the afterlife and what its proximity can do to a community’s sanity. In this grim near future, human beings have begun spontaneously “popping” out of existence, Rapture-style, with no warning and no predictability. Much like Ben Winters in his Last Policeman series of existential detective novels, Hudson eschews spectacle for the cold comfort of figuring out how people behave at the end of the world, while casually offering startling evidence of how society has changed, from loosened sexual mores to self-driving cars. Mostly, it’s a slow, sad apocalypse drifting toward human extinction. It’s no wonder Harvey Ellis is a bit of a sad sack, working the night shift for the Bureau of Depopulation Affairs and mourning his long-absent fiancée. Far from being elite agents, he and his colleagues are more like civil servants, assigned to verify Absences and hand out government stipends. But when a woman long believed “popped” suddenly reappears in the small town of Dawnville, Kansas, Harvey and his skeptical partner, Shonda Erins, are sent out to get her story straight. Long after her childhood disappearance from a school talent show, Gabby Reyes claims to have returned from wherever it is people have been going, despite a disheartening lack of biometric evidence. She spins a wild story of materializing in a transitional interdimensional community dubbed “Strangertown,” from which she managed to make her metaphysical way home. A story with impossible-to-fill holes gets even more tangled when Shonda discovers a missing investigator with a striking similarity to their suspect. Now, what happens when the structures that underpin human belief are presented with a real mystery? That’s the real question, even if the answer isn’t entirely unexpected.
A haunted story about unfinished lives, the persistence of hope, and the consequences of grief without end.Pub Date: May 5, 2026
ISBN: 9781641297585
Page Count: 448
Publisher: Soho
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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