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HARPOON

INTO THE HEART OF WHALING

An exciting, in-the-chase, up-to-the minute look at the state of global whaling—nice companion volume to Eric Jay Dolin’s...

Sydney Morning Herald reporter Darby ventures from Tasmania and Japan to Antarctica and Mexico as he tracks the ongoing destruction of the world’s whale population.

Despite the 1986 moratorium on commercial whaling, illegal hunting continues to take a toll. Darby profiles each endangered species in turn, digging though International Whaling Commission archives to root out the truth. The Right, a slow, steady baleen, was hunted to near-extinction in the Southern Ocean and the Atlantic by Basque and Long Islanders; protected since 1934, it was secretly chased by the Soviets but is now making a comeback. The Blue, a speedy Rorqual (the largest group of baleens), was routed by Norwegians and Americans from the Aleutians to the subartic seas of the North Atlantic. Out of nearly 40,000 Blues, more than 28,000 were killed at the height of the Antarctic whaling season in 1931, taken for the oil used in making soap and margarine. In need of protein for its starving people after the war, Japan resisted the 1931 Geneva Convention regulations to restrict whaling; General MacArthur’s complaisance “unlocked an industry that would shovel whale into the Japanese diet for a generation.” The tiny Minke was targeted especially by the Japanese, who still pursue it and the Humpback in the name of science. The big-headed warrior Sperm, with ambergris worth its weight in gold, was still being hunted into the ’70s, until Paul Watson of Greenpeace made whaling a “lightning rod for global species conservation.” Darby delineates both sides in the messy politics of whaling, and mixes in a lively bit of science and evolution. His study energetically underscores the need for continued vigilance in protecting these sublime ancient cetaceans.

An exciting, in-the-chase, up-to-the minute look at the state of global whaling—nice companion volume to Eric Jay Dolin’s Leviathan (2007).

Pub Date: May 1, 2008

ISBN: 978-0-306-81629-1

Page Count: 320

Publisher: Da Capo

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2008

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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