Next book

EVERYTHING TO LOSE

A tightly wound, realistic thriller.

Best-selling author Gross’ (No Way Back, 2013, etc.) latest is a hard-driving caper that chronicles the trials of a suburban divorcée seduced by temptation.

Joseph Kelty had $500,000 in his car, but he was texting while driving; he lost control, crashed and died. First at the scene is Hilary Cantor, recently downsized, with a crippling mortgage and an ex-husband behind on alimony and child support. Her son, Brandon—"This is what God gave me to protect, to keep safe"—has Asperger's syndrome, and he attends a specialized school with break-the-bank tuition. Gross does yeoman work in setup, circumstance and motivation—Kelty was a retired transit worker with a pristine past and Hilary is all wavering conscience, focused on need rather than consequences. Hilary throws the money into the woods and later returns to the scene to recover it—but that $500,000 is dirty money, and there are bad guys who will kill to get it. First to die is an innocent pharmacist who was a witness to the crash. Hilary and Brandon are targeted next. The tense, fast-moving narrative takes in Superstorm Sandy, Ukrainian mobsters, a knee-capping political fixer and a psychopathic thrill-killer. Hilary traces the money to storm-ravaged Staten Island and seeks help from Kelty’s police-officer son, Patrick, thinking "[m]aybe I just wanted a partner in this"—but Patrick’s caught in his own financial trap. Hilary and Patrick are well-defined, sympathetic characters, and assorted bad guys are thoroughly believable. Gross sustains momentum while flipping back and forth in time and point of view. Segments following the psychopath are confusing, however, and then indeterminate; only late in the book do they weave into the main narrative. The conclusion is unsentimental though not quite satisfying.

A tightly wound, realistic thriller.

Pub Date: April 22, 2014

ISBN: 978-0-06-165600-2

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: April 1, 2014

Kirkus Reviews Issue: April 15, 2014

Next book

THE KILL ARTIST

Silva, who’s covered Middle East politics as a journalist and CNN producer, promises intriguing backstory and more twists...

Silva churns out his fourth thrill-a-minute sure-fire bestseller in as many years (The Marching Season, 1999, etc.).

Another tale of international intrigue, this one rips Middle East strife from the headlines and introduces hero Gabriel Allon, living quietly away from the Israeli-intelligence work that got his wife and daughter killed. But the threat of Yasir Arafat’s assassination and permanent end to the peace process brings him back into action to chase across continents and put to an end the Palestinian terrorist who has a mysterious connection to Allon.

Silva, who’s covered Middle East politics as a journalist and CNN producer, promises intriguing backstory and more twists and turns than you can shake an olive branch at.

Pub Date: Dec. 21, 2000

ISBN: 0-375-50090-1

Page Count: 480

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2000

Next book

SAINT X

This killer debut is both a thriller with a vivid setting and an insightful study of race, class, and obsession.

The death of a teenage vacationer on a fictional Caribbean island reverberates through many lives, particularly those of her 7-year-old sister and one of the workers at the resort.

“Look. A girl is walking down the sand.…As she walks, heads turn—young men, openly; older men, more subtly; older women, longingly.…This is Alison.” A dangerous froth of sexual tension escalates around Alison Thomas, visiting Saint X from the wealthy New York suburbs with her parents and little sister, Claire. Schaitkin evokes her fictional resort with sureness—“the long drive lined with perfectly vertical palm trees,” “the beach where lounge chairs are arranged in a parabola,” the scents of “frangipani and coconut sunscreen and the mild saline of equatorial ocean.” After the disaster, the focus shifts to Claire, who changes her name to Emily after her bereaved family moves to California but never escapes the shadow of the event. “I knew the exact day I outlived Alison. Eighteen years, three months, twelve days.” When she moves back East for a publishing job in New York City, she crosses paths with one of the resort employees her sister was partying with the night she died. These men were exonerated in the matter of Alison's death, but Clive Richardson was arrested for selling pot in the process; after prison, his life is so devastated that he immigrates to Manhattan. After Emily gets in Clive’s taxicab, her obsessive desire to know more about her sister’s death—which, by now, the reader fully shares—consumes her life. The complex point of view, shifting among an omniscient narrator, Emily's perspective in first person, Clive’s immigrant story in close third, plus brief testimonies from myriad minor characters, works brilliantly. Just as impressive are Schaitkin’s unflinching examinations of the roles of race, privilege, and human nature in the long-unfolding tragedy. Setting the story in a fictional place, collaged and verbally photoshopped from real Caribbean settings, is daring, but this writer is fearless, and her gamble pays off.

This killer debut is both a thriller with a vivid setting and an insightful study of race, class, and obsession.

Pub Date: Feb. 18, 2020

ISBN: 978-1-250-21959-6

Page Count: 352

Publisher: Celadon Books

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Close Quickview