Though combat plays a big part, this is a subtle and nuanced work.
Krivak examines war’s effect on one family.
This book follows several generations of one family—as well as a few others in their orbit—from the aftermath of World War I into the early days of the 21st century. It’s the final book in a trilogy, following The Sojourn (2011) and The Signal Flame (2017), but it can be read alone. The narrative moves backward and forward in time, which seems fitting for a novel in which the past looms as large as it does here. It opens in the 1930s, with Jozef Vinich, protagonist of The Sojourn, living in Pennsylvania with his wife, Helen, and daughter, Hannah. A boy with ties to Jozef arrives on their farm, having been sent across the Atlantic for fear that he would be killed by fascists. This is Bexhet Konar, sometimes called Becks, who Krivak reveals will go on to marry Hannah, fight in World War II, and die in a hunting accident a few years later. Eventually, the narrative reveals Bexhet’s wartime activities, which also showcases Krivak’s penchant for evocative prose: “Becks saw men in the line of the column ahead of him wither, like they had fallen asleep in mid-stride.” It’s one of several scenes where Krivak evokes hardship through deftly worded passages. Earlier in the novel, a scene of the Depression’s effect on a Pennsylvania community emerges via a description of characters drinking “pine-needle tea and coffee made from chicory.” Eventually, the book’s focus shifts to Becks and Hannah’s sons, Bo and Sam. Sam’s time in a POW camp in Vietnam and his heroin addiction haunt him, and both brothers must come to terms with their father’s wartime legacy.
Though combat plays a big part, this is a subtle and nuanced work.Pub Date: May 9, 2023
ISBN: 9781954276130
Page Count: 288
Publisher: Bellevue Literary Press
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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