Wide-ranging tales united by narrators with shared histories and questions of belonging.
Short stories examine lives shaped by the Vietnamese refugee experience.
Lam and his family fled Vietnam in April, 1975, when he was just 11 years old. While the stories in this rich, complex collection cover a wide swath of subjects, this autobiography informs his characters’ feelings, their relationships to family, friends, employers, and homelands past and present. In “This Isle Is Full of Noises,” Lam begins by describing an island in the Gulf of Thailand that features makeshift tombstones and a grief-stricken woman. Nearby, two boys obliviously look to the clouds and see “catfish in mango sauce” and “roast chicken in lemongrass and chili pepper.” Death is everywhere, but hunger is more persistent. This land is a stopover for refugees of the Vietnam War. Once in America, one of these boys, given the American name of Koala (he was born Cao Le Y-Bang), tells an overly interested professor about the death of his younger brother on their journey West. The professor is, above all, entertained. Lam’s stories are filled with moments in which characters living in the U.S. are forced to reckon with history often too painful to recall, occasionally slipping into a past they never realized they were running away from. Lam’s inventive narrative styles add to the distance his characters feel from the world around them. “October Laments” is told through social media comments, videos, and flashbacks. “Love in the Time of the Beer Bug” features a son narrating the divorce of his parents as if it’s a boxing match. The book’s final—and most emotionally impactful—story, “The Tree of Life,” uses a funeral eulogy to tell the story of a remarkable mother, wife, and humanitarian. The unnamed narrator, the deceased’s child, describes how she lived and the good that was in her heart, saying “she was always an active agent in the face of calamity”—which, Lam suggests, is levied upon all who escape home in search of a better life.
Wide-ranging tales united by narrators with shared histories and questions of belonging.Pub Date: March 25, 2025
ISBN: 9781636282428
Page Count: 206
Publisher: Red Hen Press
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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