Another impressive book by one of the country’s most talented authors of comic fiction.
Five millennial friends navigate love and loss in the early days of Covid-19.
The five 30-something people at the heart of Martin’s latest novel are far from perfect, but they’re trying their best—most of them, anyway. There’s Boston writer Aaron—“smart and kind and endlessly curious when he was sober, and a weeping, pants-pissing maniac when he got drunk”—who has just been released from a rehab center and relapses less than 24 hours later, much to the consternation of his partner, Cassandra, a teacher who forgives his infidelity and addiction because “he was, alas, interesting.” Malcolm, a smart if a bit pretentious writer and professor, splits his time between Boston, where he teaches, and New York, where he lives with his partner, Violet, a doctor who finds herself losing patience with Malcolm’s series of existential crises. Finally, there’s Antonia, a teaching fellow who doesn’t know what she’ll do if she doesn’t get on the tenure track at Harvard—or, for that matter, what she’ll do if she does. Their lives are all thrown into disarray, first by the death of their mutual friend, Sam, a charming punk who’s killed after being hit by a car, and then by the onset of the Covid-19 pandemic, which strains their jobs and living arrangements. Martin writes about his characters with a mix of affection and bemusement; as he demonstrated in his earlier books, Early Work (2018) and Cool for America (2020), he has an impressive psychological insight, understanding why people make decisions that they know will be bad for them, and why love and attraction can be so stubbornly capricious. Crucially, this is also a very funny novel: In one scene, characters watch a “silly news show hosted by the high-handed Englishman who pretended he was flabbergasted by American politics and, like, the existence of hamburgers.” This is a wonderfully charming novel.
Another impressive book by one of the country’s most talented authors of comic fiction.Pub Date: March 10, 2026
ISBN: 9780374617066
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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