A masterful, acute, and very British novel, revealing the tensions of a time beset by winds of change.
Neighboring couples in the rural West Country weather the famously frigid British winter of 1962.
Miller's 10th novel opens in an asylum near Bristol, England, where one patient awakens in the night to find that another—a boy of 19—has died by suicide. Though we will later learn how these characters connect to the main plot, the focus then shifts to a pair of marriages. One couple, Bill and Rita Simmons, lives on a dairy farm. Bill is new to farming and Rita not long ago worked as a dancer in a club; now she’s pregnant, reading paperbacks and half-heartedly attempting to cook. It is she who will one day, out of boredom, cross the field that separates the Simmonses from their wealthier neighbors, the Parrys: the local physician, Dr. Eric Parry (he prescribed the pills the dead boy took) and his wife, Irene. Though her background is much fancier than Rita’s, Irene is also newly pregnant and the two easily form a friendship. One of the high points of the book, showing off Miller’s dazzling prose and very dry wit, is the drinks party Irene throws on Boxing Day. This party is complicated for Eric by the attendance of his mistress, along with her husband and son, but they will avoid trouble, at least for now. Very much in the air of the novel are World War II and the Holocaust, which the characters lived through in different ways not so long ago. Eric’s medical partner, Gabby Miklos, barely escaped the camps, and tries to share his story with Bill Simmons at the drinks party. “When Gabby began again—Häftling, Sonderkommando, Judenlager—Bill, staring at an abandoned cheese stick on the tablecloth, began to withdraw his heart.” In the same room, to the delight of the other guests, Rita is demonstrating a dance called the mashed potato. Miller is an expert juggler of dark and light, of big and small, of seen and unseen.
A masterful, acute, and very British novel, revealing the tensions of a time beset by winds of change.Pub Date: Nov. 4, 2025
ISBN: 9798889661566
Page Count: 384
Publisher: Europa Editions
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
