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I WOULDN’T START FROM HERE

THE 21ST CENTURY AND WHERE IT ALL WENT WRONG

Politically savvy and unafraid to be controversial (but not unnecessarily). An eye-opener for students of geopolitics and a...

A helter-skelter travelogue in which London-based journalist Mueller endures blasts of rhetoric from the likes of Bono, various nationalists and pundits, as well as blasts of bombs and bad vibes in all corners of the world.

The title is ironic, referring to a pat Irish reply to lost tourists seeking their way from point A to point B. Mueller, a specialist in point Zs, honors no beaten paths, and though he’s not exactly lost most of the time, he’s not found either. This rollicking innocent-abroad tour of the world opens with a grim meditation on comparative cabbing that will make a cultural relativist wince, but that will please fans of P.J. O’Rourke: “Georgians are the worst drivers in the world, combining the mindless aggression of Lebanese, the terrifying fatalism of Pakistanis, the adolescent machismo of Italians, and the technical competence of baboons.” Ouch. Things are just as bad off the road in various other third-world countries, which is, Mueller observes, why so many people are clamoring to migrate to places such as Sweden and Canada, while so few Swedes and Canadians are clamoring to migrate to Myanmar or Lesotho. Mueller turns up bright spots in such unexpected milieus as Albania and Abkhazia, and he finds high points of many kinds along his travels, with sympathies plainly expressed—if China wants Taiwan, he ventures, then give it the island, after all the Taiwanese migrate to the West. Yet his travels are mostly designed, it seems, to show how the wrong roads taken have led to the regimes in Iraq and Tripoli—and, for that matter, Washington, D.C.—the bloodshed that plagues the globe and the various lunacies that keep people on a Hobbesian rather than Lockean schedule.

Politically savvy and unafraid to be controversial (but not unnecessarily). An eye-opener for students of geopolitics and a useful primer for would-be globetrotters.

Pub Date: March 25, 2009

ISBN: 978-1-59376-218-6

Page Count: 472

Publisher: Soft Skull Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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