An important snapshot of the sorry effect of the housing crisis on the environment and society.
Unsettling look at how housing in America amplifies inequality downward, conveying privilege to corporate landlords and misery to the working poor.
Ross, a professor of social and cultural analysis at NYU, returns to the geography of an earlier book about Disney’s planned town Celebration, in central Florida. As Celebration aged into unanticipated crises, the housing in the region has become ever more problematic. “Variants of this affliction had spread all across working-class Osceola County,” he writes, “soon to be pinpointed as the place with the least amount of affordable low-income housing per capita in the entire United States.” The author notes how many workers in the tourism industry are hard-pressed to find affordable housing or are already homeless, living in dilapidated motels or forest encampments. He first examines the long shadow of the 2008 housing bubble, pointing out that while homeowners were not bailed out, private equity firms snapped up numerous foreclosures, leading to increased rents and mismanagement. Even Disney sold Celebration’s downtown to a venture capital firm with “no record of managing town centers nor any vested interest in maintaining the high maintenance standards set by the brand-conscious developer.” Ross emphasizes the human cost, chronicling his interactions with countless individuals barely holding on to shelter. The author contrasts the working-class desperation of the motel district with the growth of posh short-term rental homes for the affluent. “The motel owners are an easy target,” he writes, “but it would be a mistake to think that the growth of vacation homes is disconnected from the housing distress further along the corridor” Although sections dealing with the predatory economics of the housing market can be dry, the author’s focus on details of place and real peoples’ lives makes for poignant, engaging reading, punctuating the conclusion that “alternatives to the market delivery model for housing are desperately needed.”
An important snapshot of the sorry effect of the housing crisis on the environment and society.Pub Date: Oct. 12, 2021
ISBN: 978-1-250-80422-8
Page Count: 288
Publisher: Metropolitan/Henry Holt
Review Posted Online: Sept. 7, 2021
Kirkus Reviews Issue: Oct. 1, 2021
BOOK REVIEW
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
SEEN & HEARD
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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