Trenchant observations from an influential journalist.
The veteran journalist collects his controversial views on sex, religion, politics, and plagues.
Sullivan, whose essays, reviews, articles, and blog posts have appeared in the New Republic (where he was an editor), the New York Times, New York magazine, and the Weekly Dish newsletter, gathers 60 pieces from the past three decades that serve as both a chronicle of his life and a record of significant transformations in American culture. Describing himself as having “a querulous, insistent curiosity that sometimes relishes the hostility it often provokes,” Sullivan is not surprised to have incited strong responses: “An essay insisting on the biological roots of masculinity enraged some feminists; my opposition to ‘hate crime’ legislation maddened my fellow gays; my account of the moment AIDS in America no longer qualified as a plague was denounced.” His attack on the use of torture by the Bush administration infuriated the right, just as his attack on critical race and gender theory incensed the left. As a gay man, Sullivan has lived through a sea change in attitudes about homosexuality and gender, from grudging allowances for domestic partnerships to the legalization of gay marriage. His own marriage, in 2007, seemed momentous. With mixed feelings, he observes the erosion of any “single gay identity, let alone a single look or style or culture.” He argues that “distinctive gayness” was “integral” to gay identity. “It helped define us not only to the world but also to ourselves,” he writes. “Letting go is as hard as it is liberating, as saddening as it is invigorating.” Testosterone therapy, which he began in 2000 as a result of being HIV-positive, made him viscerally aware of the surge of energy, aggression, lust, and anger that resulted from what he called the “He Hormone.” Other pieces reveal Sullivan’s thoughts on Christianity, the death of his beloved beagle, Princess Diana as a cultural icon, Obama as a beacon of hope, and, most recently, Covid-19.
Trenchant observations from an influential journalist.Pub Date: Aug. 10, 2021
ISBN: 978-1-5011-5589-5
Page Count: 576
Publisher: Avid Reader Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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