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SACRIFICE

A routine sixth outing for Vachss's dark knight Burke—that is, a bitter cup overflowing with satanic child-rape, multiple personality disorder, voodoo, execution-murders, and other workaday hazards of the ``outlaw'' p.i.'s ever-more bleak—and vengeful—Gotham half-life. Back from a series-freshening trip to Indiana (Blossom, 1990), Burke again surrounds himself with series regulars (martial-arts master Max the Silent, electronic wizard Mole, etc.) who play Robin to his Batman as he again takes on child abusers—attorney Vachss's legal foes in real life. What is missing is the sort of strong heroine (Flood, Blue Belle, etc.) who in the past has grounded Burke's high-voltage vigilantism; here, Burke's main female companionship is provided by a prostitute—representative of the sort of nasty turns that dominate the novel, which opens with Burke posing as a blind man to nail a ``freak''—a child abuser. Soon, bigger prey beckons: a child-porn ring with satanic trappings whose grim abuse has made a multiple personality of one eight-year-old Luke, with one of the personalities a stone killer. A crusading D.A. wants to try Luke for murder, but Burke persuades her to go after the cult—a decision that, coupled with his work on another case, sweeps him into a netherworld inhabited by, among others, a wealthy pedophile, a demented counterfeiter, a slick gun-runner, and an alluring voodoo queen. The brutal action is slightly sweetened by Burke's tutelage of a young, personable gangster, and significantly soured by his self-pitying running commentary (``I live under the darkness, where it's safe. Safe from things so secret that they have no name'')—and explodes in a merciless mass-killing by Burke of the cult, blood-revenge for his own sufferings as a child. Vachss still writes a mean page, full of sound and fury; but his spike-hard prose and action are blunted by a moralism that smugly sets Burke up as the most obnoxiously self-righteous—and increasingly one-note—judge, jury, and executioner since Mike Hammer.

Pub Date: June 20, 1991

ISBN: 0-679-40283-7

Page Count: 320

Publisher: Knopf

Review Posted Online: May 29, 2011

Kirkus Reviews Issue: April 15, 1991

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THE BLACK ASCOT

Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.

An investigation into an 11-year-old murder unearths some surprising revelations in Inspector Ian Rutledge’s 21st case (The Gate Keeper, 2018, etc.).

Rutledge survived World War I shellshocked and living with the ghostly voice of Hamish, a comrade who died in his arms. When he helps a former soldier find his wife, the grateful man gives him a tip that might help Rutledge find one of the most wanted men in Britain, Alan Barrington, who was accused of murder over a decade earlier and hasn't been seen since. Rutledge's boss gives him the unwelcome job of following up the clue, which begins the inspector's unrelenting search for the truth. Barrington had been accused of engineering a motor crash that killed Blanche Thorne and gravely injured her second husband, Harold Fletcher-Munro. Barrington had been positive that Fletcher-Munro drove Barrington’s friend Mark Thorne to financial ruin and suicide so he could marry Blanche. Rutledge starts out by investigating Barrington’s friends, including his lawyer and estate agent, both of whom have known him for years. When each refuses to confirm or deny that he’s still alive, Rutledge begins to consider the possibility that Mark Thorne did not commit suicide but was murdered by one of the several men who wanted Blanche. Conversations with friends and relatives of the parties involved with Blanche reveal many conflicting opinions. Each snippet Rutledge gleans leads him deeper into a complex maze, but he never considers giving up even when his own wartime demons come to the fore.

Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.

Pub Date: Feb. 5, 2019

ISBN: 978-0-06-267874-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE BIG BAD WOLF

As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...

Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.

According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.

As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.

Pub Date: Nov. 5, 2003

ISBN: 0-316-60290-6

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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