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MORTAL LOCK

A collection of white-hot short stories.

The baddest noir stylist of them all (That’s How I Roll, 2012, etc.) digs into his archives from the past 15 years and comes up with 20 visits to hell.

No matter where they live or what they do, nobody in Vachss' world ever has a nice day. In “Postwar Boom,” set back in 1947, two closemouthed veterans cross the country in a series of cars provided by someone who’s hired them as killers. The fate of a remote village depends on child sacrifice in “Blood Orchid.” The gun rights advocate in “Choice of Weapons” gets his at the hands of a neighbor who has strong reasons for revenge. A young woman with a roving eye plays a misbegotten prank on her fiance in “Corazón.” The final entry, the feature-length screenplay “Underground,” tracks episodes of violent conflict between teenage gangs fighting for survival in a glumly dystopian future. The stories remote in time and place, however, are less compelling than those in which Vachss discloses the same darkly atavistic desires on random street corners. Some of the briefest entries here—snapshots as short as a single page—are as blistering as anything Vachss has ever written. In “Sure Thing,” a gambler finds that he just can’t give up the ghost while there’s still money in his pocket. “They’re All Alike” pairs a murderous john with a streetwalker who’s more than his match. “Savior” is the remarkably concise confession of a thief-turned-killer. Of the longer tales, the one that maintains this intensity most consistently is “Ghostwriter,” which follows an aspiring writer who takes no prisoners in his hunger for professional success. The outlier, “Veil’s Visit,” co-authored with Joe R. Lansdale, is both loose and funny.

A collection of white-hot short stories.

Pub Date: May 7, 2013

ISBN: 978-0-307-95083-3

Page Count: 300

Publisher: Vintage Crime/Black Lizard

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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  • New York Times Bestseller

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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BLOOD TRAIL

More of a western than a mystery, like most of Joe’s adventures, and all the better for the open physical clashes that...

Wyoming Game and Fish Warden Joe Pickett (Free Fire, 2007, etc.), once again at the governor’s behest, stalks the wraithlike figure who’s targeting elk hunters for death.

Frank Urman was taken down by a single rifle shot, field-dressed, beheaded and hung upside-down to bleed out. (You won’t believe where his head eventually turns up.) The poker chip found near his body confirms that he’s the third victim of the Wolverine, a killer whose animus against hunters is evidently being whipped up by anti-hunting activist Klamath Moore. The potential effects on the state’s hunting revenues are so calamitous that Governor Spencer Rulon pulls out all the stops, and Pickett is forced to work directly with Wyoming Game and Fish Director Randy Pope, the boss who fired him from his regular job in Saddlestring District. Three more victims will die in rapid succession before Joe is given a more congenial colleague: Nate Romanowski, the outlaw falconer who pledged to protect Joe’s family before he was taken into federal custody. As usual in this acclaimed series, the mystery is slight and its solution eminently guessable long before it’s confirmed by testimony from an unlikely source. But the people and scenes and enduring conflicts that lead up to that solution will stick with you for a long time.

More of a western than a mystery, like most of Joe’s adventures, and all the better for the open physical clashes that periodically release the tension between the scheming adversaries.

Pub Date: May 20, 2008

ISBN: 978-0-399-15488-1

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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