An attractively presented guide and showcase to the museum and to business history.
The Smithsonian's National Museum of American History provides an illustrated overview of the country's business history, including images of objects and artifacts in the museum's collections.
The editors, Serwer, a former editor at Fortune magazine, and Liebhold, a curator at the museum, are joined by eight contributors from business, commerce, finance and government service. These include former treasury secretary and Goldman Sachs veteran Hank Paulson, Richard Trumka of the United Mine Workers Union, Bill Ford of the motor company, and Fisk Johnson, the fifth generation of the family in charge of SC Johnson. The editors identify four successive phases of business organization. Small businessmen and family businesses organized around trades and crafts characterized the Merchant Era, from 1770 to the 1850s. The Corporate Era (1860s-1930s) was based on the growth of industrialization, increasing capital and power, investors and limited liability. Contributor Adam Davidson, of the New York Times Magazine, writes that this period “represents a defining break between an old way of living and the new one we now know.” The editors divide the decades from the close of World War II to the present between the Consumer Era and the Global Era. The book covers the proliferation of slavery and the China trade, along with the development of the oil industry, advertising and the explosive rise of digital technology in the past few decades. The most interesting parts of the narrative are the pictures of the objects in the museum’s collection—e.g., a Singer sewing machine, an Underwood typewriter, a Bell telephone, a 1914 cash register from Marshall Field & Company in Detroit and a DuMont “Revere” entertainment center from 1947. Paulson concludes with a two-part contribution on global warming, noting that even though “we can see the crash coming…we're sitting on our hands instead of altering course.”
An attractively presented guide and showcase to the museum and to business history.Pub Date: May 26, 2015
ISBN: 978-1-58834-496-0
Page Count: 256
Publisher: Smithsonian Books
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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