While it doesn’t quite stand on its own, this sequel deftly develops the appealing characters.
A teenager narrates his confusing emotions in this second installment of a coming-of-age series.
Picking up right where the first volume, Why Can’t Life Be Like Pizza? (2014), left off, Roamer continues the story of Arvydas “RV” Aleksandravičius, who has just finished his freshman year at a high school in Boston. RV had been looking forward to spending the summer with his good friends Bobby Marshall and Carole Higginbottom—especially Bobby, as the two shared their burgeoning gay feelings and a first kiss at the close of the preceding novel. Those plans quickly go out the window. Carole gets the opportunity to spend the summer in Paris, and Bobby is being torn between football and arguing about his future with his father. To make matters worse, RV feels that things are off when Bobby does make time for him. RV also discovers that his younger brother, Ray, may be getting in over his head with the wrong crowd. As the teen’s parents stress over their upcoming citizenship exams to become official Americans and the gas station where Bobby works comes under fire from local gangs, it seems the only safe place RV can go is Joe’s, his favorite pizza shop. There, his trustworthy mentor Mr. Aniso is ready with slices and advice. RV maintains the charm and wit that made him a lovable narrator in the first installment. This second chapter expands further into the heavier themes floating beneath the surface of the protagonist’s life, namely, racism, xenophobia, homophobia, and the decline of the American dream. (RV’s father’s hesitancy to become a United States citizen and his inability to articulate clearly why he left Lithuania deliver a fresh, intriguing take on contemporary first-generation American life.) But many plot points, such as surprising violence at the gas station and Bobby’s reluctance to come out, never reach a satisfying conclusion. Still, the stage is effectively set for the next volume.
While it doesn’t quite stand on its own, this sequel deftly develops the appealing characters.Pub Date: May 25, 2020
ISBN: 978-1-64890-021-1
Page Count: 208
Publisher: Ninestar Press, LLC
Review Posted Online: Sept. 6, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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