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THE NOVICES OF LERNA

A beguiling blend of the cerebral and the visceral.

These surreal stories reckon with identity, perception, and existence.

Born in Buenos Aires in 1929, Bonomini—a contemporary of Adolfo Bioy Casares, Silvina Ocampo, and Jorge Luis Borges—has never been translated into English before. Much like his peers, Bonomini reckoned with both grand philosophical questions and the foibles of individual behavior. The title novella, which takes up much of this volume, focuses on an academic summoned to a strange institute of higher learning where all his fellow scholars—though hailing from different nations—look exactly alike. The men are given a series of rules that seem designed to further eradicate their individual identities, and by the time an epidemic begins thinning their ranks, it’s not clear if it’s an ironic coincidence or part of some plan. In the stories that follow, there’s a similar ambiguity, sometimes elevated to a metafictional level. After “The Model” appears to end, the story’s narrator chimes in to tell readers, “I have only been truthful about one thing.” The identities of characters in “The Bengal Tiger,” which opens with a series of potentially unrelated sentences about a woman and a tiger, blur as the story continues, eventually transforming the narrative into a dreamlike triangle in which a man, a woman, and a tiger alternate roles of love, death, and betrayal. In “Aromatic Herbs,” the narrator moves the story in and out of dreams, including one that ends with his own death. These tales are often heady, abounding with unlikely revelations and sudden moments of violence. Their arrival in English, translated by Landsman, is a welcome development.

A beguiling blend of the cerebral and the visceral.

Pub Date: May 7, 2024

ISBN: 9781945492853

Page Count: 160

Publisher: Transit Books

Review Posted Online: April 18, 2024

Kirkus Reviews Issue: May 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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