An affecting narrative about the strength it takes to recover from tragedy.
In Shaeffer’s novel, a family’s summer boating trip turns deadly, leaving grief in its wake.
It’s the start of summer, and Jill’s family has decided to celebrate by going on their annual boating trip to Lake Koda. The day starts with laughter as the kids soak in the sun, water ski, and build sandcastles. All seems perfect, and after lunch at their favorite cove, the group splits up for a last bit of fun. However, a thunderstorm soon rolls in, bringing unexpected lightning and violent waves. As things worsen, they realize the importance of moving off the water to safety, but Jill’s motherly instincts kick in as she thinks of her two younger sons likely freezing in the cove with their grandmother. She urges her father to turn back into the roaring waters, and they soon pull the boys to safety. Yet, just as Jill feels relief, her father guns the gas into an oncoming wave, flipping the boat and throwing the passengers into the churning water. In the horrific accident’s aftermath, each family member deals with their trauma separately, locking up their pain and laying blame where it shouldn’t be; however, at the point when they feel they’ve hit rock bottom, they find new strength. Shaeffer’s use of multiple third-person perspectives creates a well-paced, engaging plot that will hook readers in. Also, the character development throughout feels realistic; for example, when Jill collapses after terrible news of a death, her loving, strong, and supportive spouse, Matt, “held her up when she crumpled into him”—but he reveals later how much he, too, is struggling. The various points of view, including that of Jill’s teenage son, show how unique and individual the effects of grief can be, and they bring a sense of community to what could easily be portrayed as a lonely process.
An affecting narrative about the strength it takes to recover from tragedy.Pub Date: June 4, 2025
ISBN: 9798992825213
Page Count: 347
Publisher: Wander Lane Press
Review Posted Online: April 24, 2025
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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