Charming and comforting.
Birth order matters—or does it?
Ostensibly written to reassure middle children, this sweet picture book acknowledges the special place each sibling occupies in a family. Middle kids are lucky to have someone bigger to help them—and someone smaller who needs them. They know how to assert themselves when their opinions are important; how to relent when a battle isn’t worth it; and how to negotiate conflicts to make all siblings equally happy. Sometimes middles lead; sometimes they follow; and sometimes they forge their own paths. When you’re in the middle, “you’re not too small for the big stuff” (going to school) “and not too big for the small stuff” (playing with a dollhouse). Life’s not always rosy, though; think hand-me-downs and shared bedrooms. But here’s the thing: “The best part of middle is… / you are loved all around.” What’s better than that? The child-appealing, expressive illustrations, rendered in pencil and computer enhanced, are delightful, depicting three plump, brown, floppy-eared, large-eyed bunnies cozily engaged in familiar activities (baking, playing, hiking, reading, snuggling). Kids will savor adorable details, such as children’s artwork on a bedroom wall and winsome animal students lined up for school in a tree. The second-person address avoids explicitly gendering the characters, and their activities are nicely varied. When portrayed on scooters, the bunnies wear helmets.
Charming and comforting. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-250-12036-6
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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