by Anita Shreve ‧ RELEASE DATE: Jan. 1, 1997
Though she fumbles slightly at the close, Shreve (Resistance, 1995, etc.) deftly juxtaposes a strained modern marriage and a century-old double murder. Jean is assigned to take photographs for a magazine piece about an ancient crime on the granite island of Smuttynose, off the coast of Portsmouth, New Hampshire. She makes the journey to the island by sailboat, sharing the claustrophobic quarters with her five-year-old daughter Billie, her high-strung poet husband Thomas, his brother Rich, and Rich's girlfriend of a few months, Adaline. In 1873, two women were hacked to death on the island, and a third, apparently a survivor of the attack, was found hiding in a remote cave; a Prussian itinerant was convicted of the killings. In an uncatalogued archive in Portsmouth, Jean finds a pencil-written translation of the diary kept by Maren, the woman who survived, and, in a fit of pique caused by seeing her husband engrossed in conversation with attractive Adaline, she pockets it. And thus two dramas unspool side by side: On board, Jean focuses on the easy interaction between her husband and Rich's girlfriend and muses on the estrangement in her marriage. Maren's diary, meanwhile, describes her childhood in Norway and her incestuous love for her brother Evan. Married off to a taciturn fisherman, Maren settles on desolate Smuttynose, soon to be joined by her bad-tempered sister Karen and, later, by Evan and his new wife Anethe. Tortured by jealousy, Maren dutifully maintains her remote household, until, the diary tells us, her long-repressed rage is unleashed. It was, it turns out, Maren who killed Karen and Anethe. In present time, Jean ventures some betrayals of her own, and the small sailboat gets caught in a ferocious storm. The ensuing death at sea, however, feels unnecessary—a sort of cheap shot ending. The emotional losses depicted in the parallel stories are ultimately more haunting. Nonetheless, a highly readable yarn and a complex, convincing exploration of the ramifications of jealousy. (Author tour)
Pub Date: Jan. 1, 1997
ISBN: 0-316-78997-6
Page Count: 256
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
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by Bill Maher ‧ RELEASE DATE: Aug. 1, 1994
A miss-and-hit portrayal of the stand-up comedy scene, circa 1979, by comedian Maher, the sardonic host of Comedy Central's Politically Incorrect. Stand-up comedy's a notoriously tough subject for a novel (see Meg Wolitzer's This Is Your Life). So give Maher credit for an authentic peek at manic jokesters, scuzzy promoters, star-struck groupies, and hostile audiences. He also captures the start of the 1980s boom that franchised comedy to the heartland, with ``road comics'' housed in the divey comedy condos provided by club owners. But he's written a better documentary than a novel. His five comedian protagonists—Dick, Shit, Fat, Chink, and Buck, so ``pseudonymed'' for their specialty jokes—are fleshed out little beyond their too-often-repeated monikers. It's hard to care about comedians whose comedy styles—as evinced by the less-than-stellar monologues peppering the book—suggest they think mostly about avoiding the dreaded idea of a day job. Their crises—stage success and sex (or maybe love)—mainly provide set pieces for Maher's ironic eye and riffing descriptions. He has some small epiphanies to pass on: To embrace groupies brings comedians down from their perch, adding a Catch-22 to celebrity; a waitress nicknamed Pussy is popular because she provides empathy, a more precious commodity to comics than sex. And some of his lines linger: ``Summer hit...with all the force of one of those great weather analogies in a Dashiell Hammett detective story.'' Too many other lines belong to the ephemeral realm of speech; on the page they're groaners: ``Getting in shape was a difficult undertaking...and for that reason undertaking had always been a profitable business.'' Shtick may work in Seinlanguage, but not here. A decent read for comedy buffs or fans who can imagine the author's irreverent voice. Otherwise, nice try, Mr. Maher, but don't give up your comedy job.
Pub Date: Aug. 1, 1994
ISBN: 0-679-75337-0
Page Count: 224
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
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SEEN & HEARD
by Rosamunde Pilcher ‧ RELEASE DATE: Aug. 1, 2000
Tea? (Literary Guild main selection/Book-of-the-Month Club alternate selection)
The enduringly popular Pilcher (Coming Home, 1995, etc.) holds fast to a theme that has all but disappeared from American fiction: the healing comforts of domesticity and companionship. As winter sets in, an old estate in rural Scotland becomes a temporary home to an unlikely assemblage: Elfrida Phipps, a gently eccentric former actress; her friend Oscar Blundell, a dedicated musician and recent widower; Elfrida's distant relation, Carrie Sutton, an independent young woman recovering from the heartbreak of a failed love affair with a married man; teenaged Lucy, Carrie's quiet niece, who yearns to escape from her grandmother's London flat; and Sam Howard, a handsome textile-company executive whose American wife has just left him. As always, Pilcher is a sensible fairy godmother, bestowing happy endings upon the worthy and heartsick, while keeping the less agreeable characters on the other side of the Atlantic, where they evidently belong. The damp charms of the Scottish countryside are tenderly described; and the author's remarkably evocative sense of place and watercolorist's eye for muted detail help distract from the usual contrivances of a Pilcher plot (the unexpected legacy, the valuable heirloom sold to make a new beginning, etc.). In this little realm, this England, the men are sincere and the tweeds handwoven.
Tea? (Literary Guild main selection/Book-of-the-Month Club alternate selection)Pub Date: Aug. 1, 2000
ISBN: 0-312-24426-6
Page Count: 464
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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