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FLIGHT OF THE PUFFIN

Mildly inspirational at best.

Three seventh graders struggle with family, community, and self.

Libby and Jack live in a rural Vermont populated with broadly drawn families: entitled men, submissive mothers, bullies, and government-averse hunters with a fear of gender nonconformity. After opening in Vermont, the story shifts to Vincent, who lives in Seattle and is mocked by his peers due to his obsession with triangles, love of puffins, and unconventional clothing choices. The contrived conflict vaguely centers around trans and nonbinary youth, who are positioned as a problem to be resolved. A local bureaucrat threatens to withhold funds for Jack’s school, citing a number of policy violations, including the absence of a gender-neutral restroom. Jack defends his school’s right to run as it pleases, and, in the process, the well-meaning but clumsy boy makes comments that a horde of strangers—some angry, some more constructive in tone—interprets as transphobic. Ultimately, the comments lead him to understand things differently, including a matter that cuts close to home. Vincent meets T, a nonbinary homeless youth whose perspective is wrought through brief, poetic italics and who functions mainly to teach Vincent important lessons about gratitude and strength. Libby, the least involved in the conflict, also has the least-developed story arc and mainly functions to unite the narratives through postcards. This story puts forward many messages but never coheres as a story and treats trans and nonbinary youth as convenient plot points rather than fully developed human beings. Characters default to White.

Mildly inspirational at best. (Fiction. 9-13)

Pub Date: May 4, 2021

ISBN: 978-1-984816-06-1

Page Count: 240

Publisher: Nancy Paulsen Books

Review Posted Online: Feb. 25, 2021

Kirkus Reviews Issue: March 15, 2021

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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CLUES TO THE UNIVERSE

Charming, poignant, and thoughtfully woven.

An aspiring scientist and a budding artist become friends and help each other with dream projects.

Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.

Charming, poignant, and thoughtfully woven. (Fiction. 9-12)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-300888-5

Page Count: 304

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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