A well-crafted, fast-paced story about how a single encounter can shape a person’s whole life.
In the 1970s, haunted by a choice he made during World War I, an elderly Rhode Island man enlists the help of a college dropout in a last-ditch attempt to make amends.
Shortly after the U.S. enters World War I in 1917, Nick Burns finds himself on a farm in rural France. He’s killing time by painting a mural on a stone wall when he meets one of the farm’s residents, a feisty young woman named Camille Chastain, who dismisses his mural as the work of an amateur. While married and heavily pregnant, Camille has no aspirations to be a wife or a mother, only an artist. When German forces reach Nick’s trench amid bursts of artillery fire one night, she appears holding two bundles—her newborn son and an array of paintings—and entrusts him with their safety before fleeing into the nearby woods. What Nick does next dogs him for decades. Upon returning to the U.S., Nick tries to resume life but can’t forget about Camille or her child. Despite marrying another woman, he spends the next 57 years tortured by the seeming impossibility of discovering their fates. In 1974, isolated, depressed, and bitter, he receives a strange new lease on life: a terminal cancer diagnosis. Motivated by the knowledge that his time is limited, Nick and newly hired assistant Jenny, an IHOP waitress reeling from the unexpected derailment of her college career, embark on a search for answers that takes them through France and Italy before concluding at a derelict exhibit once run by Enzo Piccolo, a Neapolitan artisan. In traveling with Nick, Jenny hopes to see the world and, maybe, find her own place in it. Told in chapters that alternate among three perspectives—Nick’s, Jenny’s, and Enzo’s—the story is compelling, skillfully told, and meticulously structured, though a few beats veer a little too close to cliche to ring entirely true. Of particular note are Hood’s detailed descriptions of the different historical settings (Paris, small-town France, Rome, Tuscany, Naples), which feel rooted in research and heighten the authenticity of the narrative.
A well-crafted, fast-paced story about how a single encounter can shape a person’s whole life.Pub Date: May 7, 2024
ISBN: 9780393609806
Page Count: 304
Publisher: Norton
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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