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DAYS AND NIGHTS IN AFRICA

An honest and illuminating study that portrays the process by which the investigation of a continent becomes an examination...

A veteran travel author takes a look at life (especially life for women) in modern Africa.

Jones’s journey began as an idle conversation during a vacation in the mid-1990s: while canoeing on the Zambezi River, she was asked by one of her companions where she wanted to go next and decided then and there to drive across the continent in a variation of the old “Cape-to-Cairo” trek. She returned to the US, collected the necessary equipment (and funds), and began to plot out an itinerary while her fellow traveler Kevin Muggleton, a former soldier now working as a photographer, went back to Britain and bought a used Land Rover. They then met up and traveled together through Europe before boarding a ship bound for Morocco. By this time Jones had learned of the existence of a tribal queen in South Africa who was renowned for her supernatural powers, and her journey began to take on many aspects of a pilgrimage—although, in the best Chaucerian style, it was one that involved many detours and few straight lines. From Morocco, they crossed the Sahara desert into Mauritania, one of Africa’s forgotten countries—a vast, arid region torn by civil war and ethnic hatreds. They survived the desert and traveled south into Nigeria, which was a nightmare of checkpoints—at least 27 in the first few kilometers. Muggleton, obsessed with covering distance, soon began to irritate Jones, who wished to take a more leisurely journey; their sojourn in Zaire tried them even further, as Muggleton came down with malaria, the rivers lacked bridges, and the roads were mostly gulch-deep potholes. In Kenya they parted company, and Jones completed the trip with two African women she had met along the way. Eventually she did meet the queen, who ruled over a greatly diminished territory north of Pretoria and claimed to control the rainfall. By journey’s end, Jones had discovered a kinship with the women of Africa but was happy to return home.

An honest and illuminating study that portrays the process by which the investigation of a continent becomes an examination of the self.

Pub Date: Jan. 30, 2001

ISBN: 0-375-40554-2

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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