Another of Leckie’s beautiful mergings of the political, philosophical, and personal.
A seemingly pointless quest ignites a political firestorm in this space opera follow-up to the Imperial Radch trilogy and Provenance (2017).
Enae Athtur (whose pronouns are sie/hir) is forced from hir childhood home and hir comfort zone to take a job for the Saeniss Polity’s Office of Diplomacy that’s intended as a sinecure: searching for traces of a fugitive Presger Translator who disappeared 200 years ago. Meanwhile, despite having been raised by kindly foster parents, Reet Hluid has never quite fit in anywhere. Ignorant of his origins, trapped in a dead-end job, friendless, and tormented by strangely compelling daydreams of vivisecting the people he meets, he thinks he’s finally found community with the Siblings of Hikipu. On what appears to be very little evidence, they claim that Reet is a Schan, a scion of their long-vanished royal line, and welcome him to their fellowship, which celebrates their cultural heritage…and perhaps dabbles in a little terrorism. And Qven, brought up in the innocently violent nursery of the Presger Translators, fears losing themself in the transition to adulthood, which involves a physical and mental merging with another person; their attempt to escape that apparent inevitability leads to Qven’s permanent disgrace. When Enae does what no one expects—actually finding the trail of the lost Translator—it upends the lives of Enae, Reet, and Qven and threatens the treaty that protects humanity from the Presger, an impossibly powerful and enigmatic alien race. It all sounds very complicated—and it is, enjoyably so—but basically, this is yet another opportunity for Leckie to explore her favorite themes: the meaning of family, humanity, and the right to one’s personhood. Although the novel is mostly set outside the Radch Empire, the events of that trilogy and of Provenance have a profound effect on the action here, and they also share some characters. This work also addresses many questions from the previous books about the peculiar behavior of Translators, whose originally human DNA has been substantially reengineered by the Presger.
Another of Leckie’s beautiful mergings of the political, philosophical, and personal.Pub Date: June 6, 2023
ISBN: 9780316289719
Page Count: 432
Publisher: Orbit
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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