by Ann Turner & illustrated by Robert J. Blake ‧ RELEASE DATE: May 11, 1997
Turner (Shaker Hearts, 1997, etc.) offers a splendid tale of the pioneering spirit. Traveling west from Kentucky to Oregon in the 1800s, three children keep a journal of their thoughts, feelings, and events along the way. These brief poetic passages capture in two or three paragraphs the hardship, fears, longings, joys, adventures, and sorrows of that journey west. Amanda, the oldest, teeters on the edge of adulthood, and wishes for ``a land where I could run and shout with no one to tell me I was not a lady.'' Lonnie, the older son, dreams of ``soil as deep as a man is tall,'' and a place to plant his peach orchard. Caleb, the youngest, is so fired up with fear that he reports that he looks like a peddler with charms around his neck to ward off evil: ``rabbit's foot for water, snakeskin for woods, and a dead man's fingernail to keep off the horse-stealing, ma-hurting wild men.'' Along the way a baby is born, their dog dies, they find an orphan, buy an abused horse, and nearly lose a child to cholera. They come at last to the place of their new beginning. The vivid writing is ideal for savoring at story hours; the appealing illustrations—sometimes intrusively literal, more often a poetic match to the text—would also work well in a group setting. (Picture book. 8-10)
Pub Date: May 11, 1997
ISBN: 0-06-024432-1
Page Count: 48
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1997
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by Laurie Keller & illustrated by Laurie Keller ‧ RELEASE DATE: Oct. 1, 1998
Imagine the states, Kansas, California, Ohio, and all the rest, as people with toothy grins, ping-pong balls for eyes, pipe cleaner limbs, and full-blown personalities. Imagine, then, that they get together at a party and decide to switch places on the map. In this amusing spoof, Kansas wakes up one morning saying, “I’m not feeling happy at all!” and starts the whole thing. Florida goes to Minnesota, California goes to Wisconsin, Nevada and Mississippi fall in love. Then the trouble starts: Alaska, who had missed company, feels claustrophobic among other states; Kansas finds his place in the middle of the ocean to be a bit too quiet; Minnesota, in Florida’s spot, forgets to pack suntan lotion; and so on. Soon the states are rushing back to their original spots with sighs of relief. Keller, in her first book pushes a silly idea, to great lengths, and will elicit laughs from all those who thought geography was boring. The states are colorful, boastful, belligerent, and charming, in collage illustrations that are full of spontaneous asides and intriguing labels. The states appear in a final gallery, with a few statistics to square off the whole funny enterprise. (Picture book. 8-10)
Pub Date: Oct. 1, 1998
ISBN: 0-8050-5802-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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by Laurie Keller ; illustrated by Laurie Keller
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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