Short, dark, stylish, sui generis. An idiosyncratic form of fiction, stimulating yet not entirely satisfying.
Palliative care, the Covid-19 epidemic, and a doctor’s complicated personal life are woven together in a sober amalgam of existence and departure.
In tone and approach, DeForest’s second novel bears close comparison with their debut, A History of Present Illness (2022), which offered a fragmented, detached insider’s look at medical training and hospital culture from an unusual perspective. This time, another unnamed female narrator is in training, learning to specialize in “pain unto death—or quality of life, as we are being trained to call it,” her work overlapping with the pandemic, aka “the plague years.” Also reminiscent of the earlier book are the narrator’s relationship with a seminarian (here her husband, Eli) and a problematic personal history, which in this case touches on unloving parents and a drug-addicted brother who has left his 5-year-old daughter, Sarah, in her care—“a temporary daughter.” There’s no plot, but the gathering glimpses of the narrator’s backstory and private life, including the death of her father, offer some connection. Loss of life is indeed the central topic, not just the look and sound of death, although these are included, but numerous other aspects: the behavior of relatives; the experience of a patient’s last hours; the fine lines between care and harm and end of life; autopsy; organ harvesting. Eli’s job is “to be with the families in those quiet rooms adjacent to the emergency department, in each wail an instance of scalding, incoherent grief.” Dying also pervades the narrator’s frequent philosophical and abstract musings, including the countervailing question arising at a retreat she attends periodically: “What is the purpose of living?” DeForest, themself a palliative care physician, has delivered less an immersive storyline, more a meditation on both life and death leavened by occasional sardonic humor.
Short, dark, stylish, sui generis. An idiosyncratic form of fiction, stimulating yet not entirely satisfying.Pub Date: July 9, 2024
ISBN: 9780316567121
Page Count: 224
Publisher: Little, Brown
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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