A startling meditation on grief and family and betrayal and the stories we tell about ourselves.
Anna Hogeland, a 30-year-old pregnant writer who shares the author's name, chronicles the often unspoken fears and desires of the mothers and would-be mothers in her life.
When Anna’s sister, Margot, with whom she’s always had a fraught relationship, calls to tell her she’s had a miscarriage before Anna even knew she was pregnant, it sets off a series of conversations among sisters, close friends, and even strangers in Irvine, California; Anchorage, Alaska; and various points in between about the “closed grief” of pregnancy loss. Then, when things seem to take a turn for the worse in Anna’s own pregnancy, her newfound empathy is put to the test: Will she emerge strengthened by this experience or as a diminished version of her former self? An introspective, psychologically astute, and engaging debut, this novel delves into territory that is rarely explored in fiction: the raw and devastating costs and painful choices that women face when a new life ends before it can begin. For fans of Rachel Cusk’s Outline or Claire Vaye Watkins’ I Love You but I’ve Chosen Darkness, here is a heart-rending tale that blurs the line between fiction and reality. In tight, unassuming prose, Hogeland unravels a complex web of stories about other women’s lives, the stories they tell her about their own pregnancies and families, as Anna (the narrator) attempts to pinpoint which parts are true and which are false. At a critical moment we realize that the story she's telling and retelling about these other women is, in fact, the one she has been trying to avoid, the one that wasn’t ever supposed to end up in these pages: her own story. “This was never supposed to be part of this novel,” she writes.
A startling meditation on grief and family and betrayal and the stories we tell about ourselves.Pub Date: June 21, 2022
ISBN: 978-0-593-41813-0
Page Count: 304
Publisher: Riverhead
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.
A year in the life of the No. 2 boarding school in America—up from No. 19 last year!
Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.Pub Date: Sept. 16, 2025
ISBN: 9780316567855
Page Count: 432
Publisher: Little, Brown
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
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BOOK REVIEW
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PERSPECTIVES
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